Suite en fa, Op. 33
E817090
Suite en fa, Op. 33 is an orchestral suite by French composer Albert Roussel that showcases his transition from impressionism to a more neoclassical, rhythmically driven style.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Suite en fa, Op. 33 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T9730238 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Suite en fa, Op. 33 Context triple: [Albert Roussel, notableWork, Suite en fa, Op. 33]
-
A.
Suite for Piano, Op. 25
Suite for Piano, Op. 25 is a landmark solo piano composition by Arnold Schoenberg that is among the first works to fully employ his twelve-tone technique.
-
B.
Sonate a tre, Op. 1
Sonate a tre, Op. 1 is a collection of early trio sonatas by Arcangelo Corelli that helped establish the genre’s Baroque style and his reputation as a leading composer.
-
C.
Sonate a tre, Op. 4
Sonate a tre, Op. 4 is a collection of trio sonatas, a set of Baroque chamber works written for two treble instruments and continuo.
-
D.
Suite española, Op. 47
Suite española, Op. 47 is a celebrated piano suite by Isaac Albéniz that evokes the musical character of various Spanish regions through a series of vividly stylized dance pieces.
-
E.
Sonate a tre, Op. 5
Sonate a tre, Op. 5 is a collection of trio sonatas by Baroque composer Pietro Locatelli, showcasing his virtuosic and expressive instrumental writing.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Suite en fa, Op. 33 Target entity description: Suite en fa, Op. 33 is an orchestral suite by French composer Albert Roussel that showcases his transition from impressionism to a more neoclassical, rhythmically driven style.
-
A.
Suite for Piano, Op. 25
Suite for Piano, Op. 25 is a landmark solo piano composition by Arnold Schoenberg that is among the first works to fully employ his twelve-tone technique.
-
B.
Sonate a tre, Op. 1
Sonate a tre, Op. 1 is a collection of early trio sonatas by Arcangelo Corelli that helped establish the genre’s Baroque style and his reputation as a leading composer.
-
C.
Sonate a tre, Op. 4
Sonate a tre, Op. 4 is a collection of trio sonatas, a set of Baroque chamber works written for two treble instruments and continuo.
-
D.
Suite española, Op. 47
Suite española, Op. 47 is a celebrated piano suite by Isaac Albéniz that evokes the musical character of various Spanish regions through a series of vividly stylized dance pieces.
-
E.
Sonate a tre, Op. 5
Sonate a tre, Op. 5 is a collection of trio sonatas by Baroque composer Pietro Locatelli, showcasing his virtuosic and expressive instrumental writing.
- F. None of above. chosen
Statements (48)
| Predicate | Object |
|---|---|
| instanceOf | orchestral suite ⓘ |
| cataloguedAs | Roussel Op. 33 NERFINISHED ⓘ |
| catalogueNumber | Durand D. & F. 10,xxx (approximate) ⓘ |
| characteristic | rhythmically driven style ⓘ |
| composer | Albert Roussel NERFINISHED ⓘ |
| composerNationality | French ⓘ |
| countryOfOrigin | France ⓘ |
| dedicatedTo | Paul Dukas NERFINISHED ⓘ |
| genre | orchestral music ⓘ |
| hasCatalogueGrouping | orchestral works by Albert Roussel ⓘ |
| hasForm | suite in several movements ⓘ |
| hasInstrumentationFeature |
contrasting brass and strings sections
ⓘ
prominent woodwind writing ⓘ |
| hasMovement |
I. Prelude
NERFINISHED
ⓘ
II. Sarabande NERFINISHED ⓘ III. Gigue NERFINISHED ⓘ IV. Final ⓘ |
| hasTempoContrastBetweenMovements | yes ⓘ |
| historicalContext | interwar French music ⓘ |
| influencedBy |
French impressionist tradition
ⓘ
contemporary neoclassical trends ⓘ |
| intendedEnsembleType | symphony orchestra ⓘ |
| isProgrammatic | no (primarily absolute music) ⓘ |
| key | F major ⓘ |
| languageOfWork | none (instrumental) ⓘ |
| marksTransitionForComposer | Albert Roussel NERFINISHED ⓘ |
| notableFeature |
clear formal structures typical of neoclassicism
ⓘ
emphasis on rhythmic vitality ⓘ transparent orchestration ⓘ |
| opusNumber | Op. 33 ⓘ |
| partOfComposerOutputPhase | Roussel’s middle period ⓘ |
| premiereConductor | Albert Wolff NERFINISHED ⓘ |
| premiereLocation | Paris NERFINISHED ⓘ |
| premiereYear | 1927 ⓘ |
| publisher | Durand NERFINISHED ⓘ |
| relatedWorkByComposer |
Bacchus et Ariane
NERFINISHED
ⓘ
Symphony No. 3 NERFINISHED ⓘ |
| scoring | orchestra ⓘ |
| stylePeriod | 20th-century classical music ⓘ |
| stylisticInfluence |
impressionism
NERFINISHED
ⓘ
neoclassicism ⓘ |
| titleTranslation | Suite in F ⓘ |
| typicalDuration | approximately 18–20 minutes ⓘ |
| usesDanceForm |
gigue
ⓘ
sarabande ⓘ |
| usesDanceForms | yes ⓘ |
| workTitleLanguage | French ⓘ |
| yearComposed | 1926 ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: Suite en fa, Op. 33 Description of subject: Suite en fa, Op. 33 is an orchestral suite by French composer Albert Roussel that showcases his transition from impressionism to a more neoclassical, rhythmically driven style.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.