L’Eclisse
E816400
L’Eclisse is a 1962 Italian art-house drama film directed by Michelangelo Antonioni, renowned for its modernist style and exploration of alienation and emotional disconnection.
All labels observed (1)
| Label | Occurrences |
|---|---|
| L’Eclisse canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T9720591 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: L’Eclisse Context triple: [Alain Delon, notableWork, L’Eclisse]
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A.
Orizzonti
Orizzonti is a competitive sidebar of the Venice Film Festival dedicated to showcasing cutting-edge, innovative, and trend-setting works in contemporary world cinema.
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B.
Stile Libero
Stile Libero is a prominent Einaudi publishing imprint known for its contemporary, innovative, and often genre-crossing fiction and non-fiction titles.
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C.
Random Access Memories
Random Access Memories is a critically acclaimed 2013 studio album by French electronic duo Daft Punk that blends disco, funk, and electronic music with live instrumentation and high-profile collaborations.
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D.
Dapertutto
Dapertutto is a sinister, demonic figure who appears as one of the main antagonists in E.T.A. Hoffmann’s fantastical tales, often embodying temptation and malevolent supernatural influence.
-
E.
International Velvet
International Velvet is a 1978 British-American drama film that serves as a modern sequel to the classic horse-racing story National Velvet, following the grown-up Velvet Brown and her niece in the world of competitive equestrian sports.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: L’Eclisse Target entity description: L’Eclisse is a 1962 Italian art-house drama film directed by Michelangelo Antonioni, renowned for its modernist style and exploration of alienation and emotional disconnection.
-
A.
Orizzonti
Orizzonti is a competitive sidebar of the Venice Film Festival dedicated to showcasing cutting-edge, innovative, and trend-setting works in contemporary world cinema.
-
B.
Stile Libero
Stile Libero is a prominent Einaudi publishing imprint known for its contemporary, innovative, and often genre-crossing fiction and non-fiction titles.
-
C.
Random Access Memories
Random Access Memories is a critically acclaimed 2013 studio album by French electronic duo Daft Punk that blends disco, funk, and electronic music with live instrumentation and high-profile collaborations.
-
D.
Dapertutto
Dapertutto is a sinister, demonic figure who appears as one of the main antagonists in E.T.A. Hoffmann’s fantastical tales, often embodying temptation and malevolent supernatural influence.
-
E.
International Velvet
International Velvet is a 1978 British-American drama film that serves as a modern sequel to the classic horse-racing story National Velvet, following the grown-up Velvet Brown and her niece in the world of competitive equestrian sports.
- F. None of above. chosen
Statements (49)
| Predicate | Object |
|---|---|
| instanceOf |
Italian film
ⓘ
art-house film ⓘ film ⓘ |
| awardReceived | Jury Special Prize at the 1962 Cannes Film Festival NERFINISHED ⓘ |
| characterPortrayedBy |
Piero – Alain Delon
NERFINISHED
ⓘ
Vittoria – Monica Vitti NERFINISHED ⓘ |
| cinematographyBy | Gianni Di Venanzo NERFINISHED ⓘ |
| colorProcess | black and white ⓘ |
| countryOfOrigin | Italy ⓘ |
| director | Michelangelo Antonioni NERFINISHED ⓘ |
| distributedBy |
Cineriz
NERFINISHED
ⓘ
Titanus NERFINISHED ⓘ |
| editedBy | Eraldo Da Roma NERFINISHED ⓘ |
| filmingLocation |
Eur district of Rome
NERFINISHED
ⓘ
Rome NERFINISHED ⓘ |
| followedBy | Red Desert NERFINISHED ⓘ |
| follows | La Notte NERFINISHED ⓘ |
| genre |
art film
ⓘ
drama ⓘ modernist film ⓘ |
| hasMainCharacter |
Piero
NERFINISHED
ⓘ
Vittoria NERFINISHED ⓘ |
| hasTheme |
existential crisis
ⓘ
failure of communication ⓘ |
| narrativeFocus |
alienation
ⓘ
emotional disconnection ⓘ modern urban life ⓘ |
| notableFor |
elliptical narrative
ⓘ
innovative use of framing and architecture ⓘ modernist style ⓘ |
| originalLanguage | Italian ⓘ |
| partOf | Michelangelo Antonioni’s alienation trilogy NERFINISHED ⓘ |
| premieredAt | Cannes Film Festival NERFINISHED ⓘ |
| producedBy |
Raymond Hakim
NERFINISHED
ⓘ
Robert Hakim NERFINISHED ⓘ |
| productionCompany |
Cormoran Films
NERFINISHED
ⓘ
Societé Cinématographique Lyre NERFINISHED ⓘ |
| publicationDate | 1962 ⓘ |
| runtime | approximately 126 minutes ⓘ |
| screenwriter |
Elio Bartolini
NERFINISHED
ⓘ
Michelangelo Antonioni NERFINISHED ⓘ Tonino Guerra NERFINISHED ⓘ |
| setInLocation |
Eur district of Rome
NERFINISHED
ⓘ
Rome NERFINISHED ⓘ |
| setInPeriod | early 1960s ⓘ |
| starring |
Alain Delon
NERFINISHED
ⓘ
Francisco Rabal NERFINISHED ⓘ Lilla Brignone NERFINISHED ⓘ Monica Vitti NERFINISHED ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: L’Eclisse Description of subject: L’Eclisse is a 1962 Italian art-house drama film directed by Michelangelo Antonioni, renowned for its modernist style and exploration of alienation and emotional disconnection.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.