On Film Direction
E812592
"On Film Direction" is a seminal theoretical work on the art and technique of filmmaking by Soviet director and film theorist Vsevolod Pudovkin.
All labels observed (1)
| Label | Occurrences |
|---|---|
| On Film Direction canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T9639735 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: On Film Direction Context triple: [Vsevolod Pudovkin, wrote, On Film Direction]
-
A.
The Film Sense
The Film Sense is a seminal theoretical work by Soviet filmmaker Sergei Eisenstein that explores the principles of film montage and cinematic expression.
-
B.
Notebooks on Cinema
Notebooks on Cinema is the English translation of the influential French film magazine Cahiers du Cinéma, renowned for its critical essays and role in shaping film theory and the French New Wave.
-
C.
Making Movies
Making Movies is a widely respected memoir and craft-focused book in which acclaimed film director Sidney Lumet explains his practical approach to filmmaking.
-
D.
Cinema 1: The Movement-Image
"Cinema 1: The Movement-Image" is a seminal philosophical work by Gilles Deleuze that develops a rigorous taxonomy of cinematic images and signs to rethink movement, time, and perception in film.
-
E.
“Discovering Cinema”
“Discovering Cinema” is a musical piece or movement from Ennio Morricone’s acclaimed score for the film *Cinema Paradiso*, reflecting the movie’s nostalgic and emotional themes.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: On Film Direction Target entity description: "On Film Direction" is a seminal theoretical work on the art and technique of filmmaking by Soviet director and film theorist Vsevolod Pudovkin.
-
A.
The Film Sense
The Film Sense is a seminal theoretical work by Soviet filmmaker Sergei Eisenstein that explores the principles of film montage and cinematic expression.
-
B.
Notebooks on Cinema
Notebooks on Cinema is the English translation of the influential French film magazine Cahiers du Cinéma, renowned for its critical essays and role in shaping film theory and the French New Wave.
-
C.
Making Movies
Making Movies is a widely respected memoir and craft-focused book in which acclaimed film director Sidney Lumet explains his practical approach to filmmaking.
-
D.
Cinema 1: The Movement-Image
"Cinema 1: The Movement-Image" is a seminal philosophical work by Gilles Deleuze that develops a rigorous taxonomy of cinematic images and signs to rethink movement, time, and perception in film.
-
E.
“Discovering Cinema”
“Discovering Cinema” is a musical piece or movement from Ennio Morricone’s acclaimed score for the film *Cinema Paradiso*, reflecting the movie’s nostalgic and emotional themes.
- F. None of above. chosen
Statements (48)
| Predicate | Object |
|---|---|
| instanceOf |
book
ⓘ
film theory book ⓘ |
| aimsTo |
bridge theory and practice in filmmaking
ⓘ
teach practical methods of film direction ⓘ |
| associatedWithMovement | Soviet montage ⓘ |
| author | Vsevolod Pudovkin NERFINISHED ⓘ |
| countryOfOrigin | Soviet Union ⓘ |
| describedBySource | seminal theoretical work on the art and technique of filmmaking ⓘ |
| emphasizes |
collaboration between director and actor
ⓘ
importance of montage in directing ⓘ planning and storyboarding ⓘ psychological effect of shot construction ⓘ |
| fieldOfStudy |
acting for film
ⓘ
cinematography ⓘ film direction ⓘ film editing ⓘ montage theory ⓘ |
| genre |
cinema studies
ⓘ
film theory ⓘ |
| hasAuthor | Vsevolod Pudovkin NERFINISHED ⓘ |
| hasAuthorOccupation |
film director
ⓘ
film theorist ⓘ |
| hasPart |
chapters on directing actors
ⓘ
chapters on editing ⓘ chapters on shot construction ⓘ chapters on visual composition ⓘ chapters on working with script ⓘ |
| hasPerspective | director-centered view of filmmaking ⓘ |
| influenced |
20th-century film theory
ⓘ
European film schools ⓘ directors interested in montage ⓘ |
| influencedBy |
Soviet silent film practice
ⓘ
silent cinema ⓘ |
| intendedAudience |
film students
ⓘ
film theorists ⓘ professional directors ⓘ |
| mainSubject |
film aesthetics
ⓘ
film direction ⓘ filmmaking technique ⓘ |
| notableFor |
influence on Soviet montage theory
ⓘ
systematic analysis of film directing ⓘ |
| originalLanguage | Russian ⓘ |
| periodDiscussed | silent film era ⓘ |
| relatedWork |
Film Technique and Film Acting
NERFINISHED
ⓘ
The Film Director and His Actor NERFINISHED ⓘ |
| theoreticalApproach |
materialist approach to cinema
ⓘ
montage-based analysis of film ⓘ |
| workExampleOf | Soviet film theory literature ⓘ |
How these facts were elicited
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You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: On Film Direction Description of subject: "On Film Direction" is a seminal theoretical work on the art and technique of filmmaking by Soviet director and film theorist Vsevolod Pudovkin.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.