Film Technique and Film Acting
E812591
"Film Technique and Film Acting" is a seminal theoretical work on cinema that explores the principles of film editing, directing, and performance, written by Soviet filmmaker Vsevolod Pudovkin.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Film Technique and Film Acting canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T9639734 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Film Technique and Film Acting Context triple: [Vsevolod Pudovkin, wrote, Film Technique and Film Acting]
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A.
Cinematic Arts and Technology
Cinematic Arts and Technology is an academic program focused on film, digital media production, and related creative technologies.
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B.
The Film Sense
The Film Sense is a seminal theoretical work by Soviet filmmaker Sergei Eisenstein that explores the principles of film montage and cinematic expression.
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C.
School of Film/Video
The School of Film/Video is a division of the California Institute of the Arts dedicated to educating artists in film, animation, and experimental moving-image practices.
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D.
School of Filmmaking
The School of Filmmaking is a specialized conservatory program dedicated to training students in the art and craft of motion picture production, including directing, screenwriting, cinematography, editing, and producing.
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E.
School of Film and Media Studies
The School of Film and Media Studies is an academic division at Purchase College, SUNY that focuses on the study and creation of film, video, and related media arts.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Film Technique and Film Acting Target entity description: "Film Technique and Film Acting" is a seminal theoretical work on cinema that explores the principles of film editing, directing, and performance, written by Soviet filmmaker Vsevolod Pudovkin.
-
A.
Cinematic Arts and Technology
Cinematic Arts and Technology is an academic program focused on film, digital media production, and related creative technologies.
-
B.
The Film Sense
The Film Sense is a seminal theoretical work by Soviet filmmaker Sergei Eisenstein that explores the principles of film montage and cinematic expression.
-
C.
School of Film/Video
The School of Film/Video is a division of the California Institute of the Arts dedicated to educating artists in film, animation, and experimental moving-image practices.
-
D.
School of Filmmaking
The School of Filmmaking is a specialized conservatory program dedicated to training students in the art and craft of motion picture production, including directing, screenwriting, cinematography, editing, and producing.
-
E.
School of Film and Media Studies
The School of Film and Media Studies is an academic division at Purchase College, SUNY that focuses on the study and creation of film, video, and related media arts.
- F. None of above. chosen
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf |
book
ⓘ
film theory book ⓘ |
| aim |
to provide practical and theoretical guidance for filmmakers
ⓘ
to systematize methods of film performance for the camera ⓘ |
| associatedWith |
Soviet silent cinema
ⓘ
Vsevolod Pudovkin’s filmmaking practice ⓘ |
| author | Vsevolod Pudovkin NERFINISHED ⓘ |
| countryOfOrigin | Soviet Union ⓘ |
| describes |
construction of film narrative through editing
ⓘ
director–actor collaboration ⓘ principles of film directing ⓘ principles of film editing ⓘ principles of screen performance ⓘ relationship between shot and montage ⓘ use of close-up in acting ⓘ |
| field |
aesthetics of cinema
ⓘ
film studies ⓘ |
| focusesOn |
craft of editing as central to film art
ⓘ
director’s control over film structure ⓘ specific techniques for screen acting ⓘ |
| genre |
cinema studies
ⓘ
film theory ⓘ |
| hasPart |
Film Acting
ⓘ
Film Technique NERFINISHED ⓘ |
| historicalSignificance |
important contribution to Soviet montage tradition
ⓘ
key text of early 20th-century film theory ⓘ |
| influencedBy |
Russian revolutionary cinema
ⓘ
Soviet montage school NERFINISHED ⓘ silent cinema ⓘ |
| language | Russian ⓘ |
| mainSubject |
cinematic technique
ⓘ
film acting ⓘ film directing ⓘ film editing ⓘ film performance ⓘ montage theory NERFINISHED ⓘ |
| notableFor |
analysis of the actor’s work for the camera
ⓘ
influence on Soviet montage theory ⓘ systematic exposition of Pudovkin’s montage theory ⓘ |
| periodDiscussed | silent film era ⓘ |
| targetAudience |
film students
ⓘ
filmmakers ⓘ scholars of cinema ⓘ |
| theoreticalApproach |
materialist approach to cinema
ⓘ
montage-based approach to film form ⓘ |
| usedIn |
cinema theory courses
ⓘ
film schools ⓘ |
How these facts were elicited
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You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Film Technique and Film Acting Description of subject: "Film Technique and Film Acting" is a seminal theoretical work on cinema that explores the principles of film editing, directing, and performance, written by Soviet filmmaker Vsevolod Pudovkin.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.