III. Scherzo: Pizzicato ostinato – Allegro (in F major)
E804565
"III. Scherzo: Pizzicato ostinato – Allegro (in F major)" is the lively, rhythmically playful third movement of Pyotr Ilyich Tchaikovsky’s Symphony No. 4, notable for its distinctive pizzicato string writing.
All labels observed (1)
| Label | Occurrences |
|---|---|
| III. Scherzo: Pizzicato ostinato – Allegro (in F major) canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T9520654 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: III. Scherzo: Pizzicato ostinato – Allegro (in F major) Context triple: [Symphony No. 4 in F minor, Op. 36, movement, III. Scherzo: Pizzicato ostinato – Allegro (in F major)]
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A.
III. Scherzo: Presto – Trio: Andante sostenuto
"III. Scherzo: Presto – Trio: Andante sostenuto" is the lively and contrasting third movement of Franz Schubert’s String Quintet in C major, D. 956, featuring a vigorous scherzo framed around a deeply lyrical and introspective trio section.
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B.
III. Scherzo: Schattenhaft
III. Scherzo: Schattenhaft is the ghostly, scherzo-style third movement of Gustav Mahler’s Symphony No. 7 in E minor, noted for its eerie atmosphere and shadowy orchestral textures.
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C.
III. Scherzo (Nocturne)
"III. Scherzo (Nocturne)" is the atmospheric third movement of Ralph Vaughan Williams’s "A London Symphony," evoking the city’s nocturnal character through shimmering orchestration and shifting moods.
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D.
III. Rondo: Allegro non troppo
"III. Rondo: Allegro non troppo" is the lively, rondo-form final movement of Brahms’s Piano Concerto No. 1 in D minor, characterized by its energetic themes and dramatic contrasts.
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E.
III. Rondo: Allegro in E-flat major
III. Rondo: Allegro in E-flat major is the exuberant, triumphant final movement of Beethoven’s Piano Concerto No. 5 in E-flat major, Op. 73, commonly known as the "Emperor" Concerto.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: III. Scherzo: Pizzicato ostinato – Allegro (in F major) Target entity description: "III. Scherzo: Pizzicato ostinato – Allegro (in F major)" is the lively, rhythmically playful third movement of Pyotr Ilyich Tchaikovsky’s Symphony No. 4, notable for its distinctive pizzicato string writing.
-
A.
III. Scherzo: Presto – Trio: Andante sostenuto
"III. Scherzo: Presto – Trio: Andante sostenuto" is the lively and contrasting third movement of Franz Schubert’s String Quintet in C major, D. 956, featuring a vigorous scherzo framed around a deeply lyrical and introspective trio section.
-
B.
III. Scherzo: Schattenhaft
III. Scherzo: Schattenhaft is the ghostly, scherzo-style third movement of Gustav Mahler’s Symphony No. 7 in E minor, noted for its eerie atmosphere and shadowy orchestral textures.
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C.
III. Scherzo (Nocturne)
"III. Scherzo (Nocturne)" is the atmospheric third movement of Ralph Vaughan Williams’s "A London Symphony," evoking the city’s nocturnal character through shimmering orchestration and shifting moods.
-
D.
III. Rondo: Allegro non troppo
"III. Rondo: Allegro non troppo" is the lively, rondo-form final movement of Brahms’s Piano Concerto No. 1 in D minor, characterized by its energetic themes and dramatic contrasts.
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E.
III. Rondo: Allegro in E-flat major
III. Rondo: Allegro in E-flat major is the exuberant, triumphant final movement of Beethoven’s Piano Concerto No. 5 in E-flat major, Op. 73, commonly known as the "Emperor" Concerto.
- F. None of above. chosen
Statements (41)
| Predicate | Object |
|---|---|
| instanceOf |
orchestral work movement
ⓘ
symphonic movement ⓘ |
| associatedWorkKey | F minor (overall symphony key) ⓘ |
| associatedWorkOpusNumber | Op. 36 GENERATED ⓘ |
| belongsToCatalogue | Tchaikovsky orchestral works ⓘ |
| character | scherzo ⓘ |
| composer | Pyotr Ilyich Tchaikovsky NERFINISHED ⓘ |
| contrastWithOtherMovements |
more playful and delicate than the dramatic first movement
ⓘ
serves as a light interlude before the energetic finale ⓘ |
| countryOfOrigin | Russian Empire ⓘ |
| hasMovementAfter | IV. Finale: Allegro con fuoco ⓘ |
| hasMovementBefore | II. Andantino in modo di canzona ⓘ |
| historicalContext | late 19th-century Russian symphonic music ⓘ |
| includedIn | standard Romantic symphonic repertoire ⓘ |
| influencedBy | Western European scherzo tradition ⓘ |
| key | F major ⓘ |
| movementNumber | 3 ⓘ |
| notableFeature | pizzicato ostinato in the strings ⓘ |
| orchestrationFeature |
strings play almost entirely pizzicato
ⓘ
woodwinds and brass often play legato against pizzicato strings ⓘ |
| partOf |
Symphony No. 4 in F minor, Op. 36
NERFINISHED
ⓘ
four-movement structure of Tchaikovsky's Symphony No. 4 ⓘ |
| performancePractice |
often performed with very precise articulation in the strings
ⓘ
requires careful balance between pizzicato strings and winds ⓘ |
| positionInWork | penultimate movement ⓘ |
| premiereConductor | Pyotr Ilyich Tchaikovsky NERFINISHED ⓘ |
| premiereDate | 1878 ⓘ |
| premiereLocation | Moscow NERFINISHED ⓘ |
| premiereWork | premiered as part of Symphony No. 4 in F minor, Op. 36 ⓘ |
| recordedAsPartOf | complete recordings of Tchaikovsky's Symphony No. 4 ⓘ |
| rhythmicCharacter | light and playful ⓘ |
| stylePeriod | Romantic ⓘ |
| tempoMarking | Allegro ⓘ |
| textureFeature | transparent orchestral textures ⓘ |
| title | Scherzo: Pizzicato ostinato – Allegro NERFINISHED ⓘ |
| typicalDuration | approximately 5–8 minutes ⓘ |
| typicalEnsemble | full symphony orchestra ⓘ |
| usesForm | scherzo and trio-like structure ⓘ |
| usesTechnique |
ostinato
ⓘ
pizzicato ⓘ |
| workLanguage | Italian (for movement title) ⓘ |
How these facts were elicited
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You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: III. Scherzo: Pizzicato ostinato – Allegro (in F major) Description of subject: "III. Scherzo: Pizzicato ostinato – Allegro (in F major)" is the lively, rhythmically playful third movement of Pyotr Ilyich Tchaikovsky’s Symphony No. 4, notable for its distinctive pizzicato string writing.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.