the renunciation of love

E804185

The renunciation of love is a central Wagnerian motif in which a character willingly abandons all possibility of love in exchange for power, setting in motion the tragic conflicts of the Ring cycle.

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Statements (43)

Predicate Object
instanceOf Wagnerian motif
dramatic motif
thematic concept in opera
associatedWithComposer Richard Wagner NERFINISHED
belongsToTradition 19th-century German music drama
category motifs in Der Ring des Nibelungen
themes in Richard Wagner’s works
contrastedWith redemptive power of love
discussedIn Wagnerian scholarship
echoedBy Brünnhilde’s initial obedience to Wotan
Wotan’s compromises for power
enables forging of the Ring of power
exchangedFor power
expressedThrough Alberich’s curse on the Ring NERFINISHED
firstEnactedByCharacter Alberich GENERATED
hasConsequence inescapable tragedy
moral corruption
spiritual impoverishment
influences interpretations of character motivation in the Ring
staging and direction of the Ring cycle
interpretedAs allegory of modern capitalist greed
critique of power politics
introducedIn Das Rheingold NERFINISHED
isCentralTo Der Ring des Nibelungen NERFINISHED
Wagner’s Ring cycle NERFINISHED
languageOfOrigin German
leadsTo creation of the cursed Ring
cycle of domination and betrayal
downfall of gods and heroes
motivates Alberich’s theft of the Rhinegold
opposedBy Brünnhilde’s later choice of love and sacrifice
recursIn Das Rheingold NERFINISHED
Die Walküre NERFINISHED
Götterdämmerung NERFINISHED
Siegfried NERFINISHED
relatedConcept Liebesverzicht
power at the price of love
requires voluntary abandonment of all possibility of love
setsInMotion tragic conflicts of the Ring cycle
symbolizedBy the Ring’s power
the curse attached to the Ring
thematizes conflict between love and power
sacrifice of human feeling for domination

Referenced by (1)

Full triples — surface form annotated when it differs from this entity's canonical label.

Das Rheingold mainTheme the renunciation of love