Symphony No. 51 in B-flat major (Haydn)
E793654
Symphony No. 51 in B-flat major is a mid-18th-century symphony by Joseph Haydn, notable for its virtuosic horn parts and inventive orchestration.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Symphony No. 51 in B-flat major (Haydn) canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T9317759 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Symphony No. 51 in B-flat major (Haydn) Context triple: [Symphony No. 52 in C minor (Haydn), precededBy, Symphony No. 51 in B-flat major (Haydn)]
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A.
Haydn Symphony No. 52
Haydn's Symphony No. 52 is a dramatic, minor-key orchestral work often cited as a prime example of his intense Sturm und Drang style.
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B.
Haydn Symphony No. 44 "Trauer"
Haydn’s Symphony No. 44 in E minor, nicknamed “Trauer” (“Mourning”), is a dark, intense work that exemplifies his Sturm und Drang style through its dramatic contrasts and emotional depth.
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C.
Symphony No. 104 in D major "London"
Symphony No. 104 in D major "London" is Joseph Haydn’s final and most celebrated symphony, renowned for its inventive orchestration and as a crowning achievement of the Classical symphonic repertoire.
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D.
Symphony No. 94 in G major "Surprise"
Symphony No. 94 in G major "Surprise" is a famous symphony by Joseph Haydn, renowned for its sudden loud chord in the otherwise soft second movement that gives the work its nickname.
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E.
Haydn Symphony No. 49 "La passione"
Haydn's Symphony No. 49 "La passione" is a dark, intense minor-key symphony whose dramatic, emotionally charged style makes it a quintessential example of the Sturm und Drang period in 18th-century music.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Symphony No. 51 in B-flat major (Haydn) Target entity description: Symphony No. 51 in B-flat major is a mid-18th-century symphony by Joseph Haydn, notable for its virtuosic horn parts and inventive orchestration.
-
A.
Haydn Symphony No. 52
Haydn's Symphony No. 52 is a dramatic, minor-key orchestral work often cited as a prime example of his intense Sturm und Drang style.
-
B.
Haydn Symphony No. 44 "Trauer"
Haydn’s Symphony No. 44 in E minor, nicknamed “Trauer” (“Mourning”), is a dark, intense work that exemplifies his Sturm und Drang style through its dramatic contrasts and emotional depth.
-
C.
Symphony No. 104 in D major "London"
Symphony No. 104 in D major "London" is Joseph Haydn’s final and most celebrated symphony, renowned for its inventive orchestration and as a crowning achievement of the Classical symphonic repertoire.
-
D.
Symphony No. 94 in G major "Surprise"
Symphony No. 94 in G major "Surprise" is a famous symphony by Joseph Haydn, renowned for its sudden loud chord in the otherwise soft second movement that gives the work its nickname.
-
E.
Haydn Symphony No. 49 "La passione"
Haydn's Symphony No. 49 "La passione" is a dark, intense minor-key symphony whose dramatic, emotionally charged style makes it a quintessential example of the Sturm und Drang period in 18th-century music.
- F. None of above. chosen
Statements (44)
| Predicate | Object |
|---|---|
| instanceOf | symphony ⓘ |
| approximateCompositionTime | c. 1773 ⓘ |
| associatedWith | Esterházy court NERFINISHED ⓘ |
| catalogueNumber | Hob. I:51 NERFINISHED ⓘ |
| composer | Joseph Haydn NERFINISHED ⓘ |
| countryOfOrigin | Habsburg Monarchy NERFINISHED ⓘ |
| dedicatedTo | likely composed for the Esterházy orchestra (undocumented formal dedication) ⓘ |
| genre | Classical symphony ⓘ |
| hasInfluenceOn | Classical horn repertoire ⓘ |
| hasInstrumentationCharacteristic | extreme high and low horn registers ⓘ |
| hasKeySignature | two flats ⓘ |
| hasOpusForm | multi-movement orchestral cycle ⓘ |
| hasTitle |
Sinfonia n. 51 in Si bemolle maggiore
NERFINISHED
ⓘ
Symphony No. 51 in B-flat major NERFINISHED ⓘ |
| historicalContext | composed during Haydn’s service to Prince Nikolaus Esterházy ⓘ |
| key | B-flat major ⓘ |
| languageOfTitle | Italian ⓘ |
| movement |
I. Vivace
ⓘ
II. Adagio ⓘ III. Menuet e Trio ⓘ IV. Finale ⓘ |
| movementCount | 4 ⓘ |
| musicologicalNote | often cited as an example of Haydn’s experimental orchestration in his early symphonies ⓘ |
| notableFeature |
inventive orchestration
ⓘ
virtuosic horn parts ⓘ |
| orchestrationFeature |
contrasting wind and string textures
ⓘ
prominent horn writing ⓘ |
| partOf | Haydn symphonies NERFINISHED ⓘ |
| period | mid-18th century ⓘ |
| placeInCatalogue | part of Haydn’s early middle symphonies ⓘ |
| scoring | orchestra ⓘ |
| scoringDetail |
bassoon
ⓘ
continuo ⓘ horns ⓘ oboes ⓘ strings ⓘ |
| stylePeriod | Classical ⓘ |
| tonality | major ⓘ |
| typicalPerformanceDuration | approximately 20 minutes ⓘ |
| usesForm |
fast finale movement
ⓘ
minuet and trio (third movement) ⓘ sonata form (first movement) ⓘ |
| workChronology | precedes Haydn’s Paris and London symphonies ⓘ |
| workNumberInComposerOutput | 51 ⓘ |
How these facts were elicited
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You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Symphony No. 51 in B-flat major (Haydn) Description of subject: Symphony No. 51 in B-flat major is a mid-18th-century symphony by Joseph Haydn, notable for its virtuosic horn parts and inventive orchestration.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.