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instanceOf
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German film
→
black-and-white film
→
documentary film
→
sports film
→
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associatedWith
|
Nazi Germany
→
Nazi propaganda
→
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awardReceived
|
Coppa Mussolini for Best Foreign Film
→
|
|
cinematography
|
Hans Ertl
→
Walter Frentz
→
|
|
commissionedBy
|
Nazi Germany
→
surface form: "Nazi government"
|
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countryOfOrigin
|
Germany
→
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depicts
|
Olympic Games
→
athletics
→
diving
→
gymnastics
→
track and field
→
|
|
director
|
Leni Riefenstahl
→
|
|
distributor
|
Tobis Film
→
|
|
editedBy
|
Leni Riefenstahl
→
Paul Falkenberg
NERFINISHED
→
|
|
features
|
National Olympic Committee of Germany
→
surface form: "German Olympic team"
Jesse Owens
→
Luz Long
→
|
|
filmingTechnique
|
slow motion
→
tracking shots
→
underwater photography
→
unusual camera angles
→
|
|
genre
|
documentary
→
propaganda film
→
|
|
hasPart
|
Olympia Part One: Festival of Nations
→
Olympia Part Two: Festival of Beauty
→
|
|
influenced
|
documentary filmmaking techniques
→
modern sports broadcasting
→
|
|
musicBy
|
Herbert Windt
NERFINISHED
→
|
|
notableFor
|
aestheticization of the athletic body
→
innovative editing
→
pioneering sports cinematography
→
|
|
originalLanguage
|
German
→
|
|
premiereDate
|
1938-04-20
→
|
|
producer
|
Leni Riefenstahl
→
|
|
productionCompany
|
Leni Riefenstahl-Produktion
→
|
|
publicationDate
|
1938
→
|
|
releaseFormat
|
two-part film
→
|
|
runtime
|
approximately 220 minutes
→
|
|
screenedAt
|
Venice Film Festival
→
|
|
screenwriter
|
Leni Riefenstahl
→
|
|
setting
|
Berlin
→
|
|
subject
|
1936 Summer Olympics
→
|
|
timePeriodDepicted
|
1936
→
|