Einführung in die Lehre Heinrich Schenkers
E785658
Einführung in die Lehre Heinrich Schenkers is Oswald Jonas’s influential exposition and interpretation of Heinrich Schenker’s music-theoretical system, serving as a key text in the dissemination of Schenkerian analysis.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Einführung in die Lehre Heinrich Schenkers canonical | 1 |
Statements (45)
| Predicate | Object |
|---|---|
| instanceOf |
music theory book
ⓘ
scholarly monograph ⓘ |
| about |
Bassbrechung concept
ⓘ
Heinrich Schenker’s theoretical system ⓘ Urlinie concept ⓘ Ursatz concept ⓘ foreground middleground background in music ⓘ hierarchical levels in music ⓘ structural hearing in tonal music ⓘ tonal structure ⓘ |
| aim |
to introduce Heinrich Schenker’s theoretical system
ⓘ
to systematize Schenker’s analytical concepts for readers ⓘ |
| author | Oswald Jonas NERFINISHED ⓘ |
| clarifies |
methodological principles of Schenker’s approach
ⓘ
terminology of Schenkerian analysis ⓘ |
| countryOfOrigin | Austria ⓘ |
| describedAs |
influential exposition of Schenker’s system
ⓘ
key text in the dissemination of Schenkerian analysis ⓘ |
| documentationOf | core concepts of Schenker’s music theory ⓘ |
| field |
music analysis
ⓘ
music theory ⓘ |
| genre | music-theoretical treatise ⓘ |
| hasForm |
analytical examples
ⓘ
prose exposition ⓘ |
| hasInfluenceOn |
pedagogy of Schenkerian analysis
ⓘ
reception of Schenker’s ideas in the 20th century ⓘ |
| hasPerspective | interpretive presentation of Schenker’s ideas ⓘ |
| hasTitle | Einführung in die Lehre Heinrich Schenkers NERFINISHED ⓘ |
| influenced |
Anglophone music theory discourse on Schenker
ⓘ
postwar Schenkerian analysis ⓘ |
| influencedBy |
Heinrich Schenker
NERFINISHED
ⓘ
Schenkerian theory NERFINISHED ⓘ |
| intendedAudience |
advanced music students
ⓘ
music theorists ⓘ professional musicians ⓘ |
| language | German ⓘ |
| mainSubject |
Heinrich Schenker
NERFINISHED
ⓘ
Schenkerian analysis NERFINISHED ⓘ music theory ⓘ |
| relatedWork |
Heinrich Schenker’s Der freie Satz
NERFINISHED
ⓘ
Heinrich Schenker’s Harmonielehre NERFINISHED ⓘ Heinrich Schenker’s Kontrapunkt NERFINISHED ⓘ |
| scholarlyReception | considered a standard reference on Schenkerian theory ⓘ |
| titleLanguage | German ⓘ |
| topic | tonal music of the common-practice period ⓘ |
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.