The Matrix Reloaded (film score)
E783132
The Matrix Reloaded (film score) is Don Davis’s orchestral and electronic soundtrack for the 2003 science-fiction film, expanding on the original Matrix’s musical themes with more complex, rhythmically intense compositions.
All labels observed (2)
| Label | Occurrences |
|---|---|
| The Matrix Reloaded (film score) canonical | 1 |
| The Matrix Reloaded (original motion picture score) | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T9165000 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: The Matrix Reloaded (film score) Context triple: [Don Davis, notableWork, The Matrix Reloaded (film score)]
-
A.
The Matrix (film score)
The Matrix (film score) is Don Davis's influential, genre-defining orchestral and electronic soundtrack for the 1999 science fiction film The Matrix.
-
B.
Blade Runner (film score)
Blade Runner (film score) is Vangelis’s influential, atmospheric electronic soundtrack for the 1982 science fiction film Blade Runner, renowned for its moody synth textures and enduring impact on film music.
-
C.
Armageddon (film score)
Armageddon (film score) is the orchestral and rock-influenced soundtrack composed for the 1998 science fiction disaster film "Armageddon."
-
D.
The Dark Knight (film score)
The Dark Knight (film score) is the acclaimed, atmospheric musical soundtrack to Christopher Nolan’s 2008 Batman film, composed by Hans Zimmer and James Newton Howard, noted for its dark, minimalist themes and innovative use of electronic and orchestral elements.
-
E.
The Rock (film score)
The Rock (film score) is an action-packed orchestral soundtrack for the 1996 film "The Rock," composed by Nick Glennie-Smith (with collaborators) and known for its driving, heroic themes.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: The Matrix Reloaded (film score) Target entity description: The Matrix Reloaded (film score) is Don Davis’s orchestral and electronic soundtrack for the 2003 science-fiction film, expanding on the original Matrix’s musical themes with more complex, rhythmically intense compositions.
-
A.
The Matrix (film score)
The Matrix (film score) is Don Davis's influential, genre-defining orchestral and electronic soundtrack for the 1999 science fiction film The Matrix.
-
B.
Blade Runner (film score)
Blade Runner (film score) is Vangelis’s influential, atmospheric electronic soundtrack for the 1982 science fiction film Blade Runner, renowned for its moody synth textures and enduring impact on film music.
-
C.
Armageddon (film score)
Armageddon (film score) is the orchestral and rock-influenced soundtrack composed for the 1998 science fiction disaster film "Armageddon."
-
D.
The Dark Knight (film score)
The Dark Knight (film score) is the acclaimed, atmospheric musical soundtrack to Christopher Nolan’s 2008 Batman film, composed by Hans Zimmer and James Newton Howard, noted for its dark, minimalist themes and innovative use of electronic and orchestral elements.
-
E.
The Rock (film score)
The Rock (film score) is an action-packed orchestral soundtrack for the 1996 film "The Rock," composed by Nick Glennie-Smith (with collaborators) and known for its driving, heroic themes.
- F. None of above. chosen
Statements (35)
| Predicate | Object |
|---|---|
| instanceOf |
film score
ⓘ
soundtrack album ⓘ |
| associatedWithFranchise | The Matrix NERFINISHED ⓘ |
| basedOn | The Matrix Reloaded (film) NERFINISHED ⓘ |
| composer | Don Davis NERFINISHED ⓘ |
| composerNationality | American ⓘ |
| countryOfOrigin |
United States of America
ⓘ
surface form:
United States
|
| expandsOn | The Matrix (film score) musical themes ⓘ |
| follows | The Matrix (film score) NERFINISHED ⓘ |
| genre |
electronic music
ⓘ
film score ⓘ orchestral music ⓘ |
| hasMusicalStyle |
intense rhythmic textures
ⓘ
rhythmically complex compositions ⓘ |
| hasTheme |
action sequences
ⓘ
cyberpunk atmosphere ⓘ philosophical tension ⓘ |
| hasType | original motion picture score ⓘ |
| language | instrumental ⓘ |
| musicFor | science fiction film ⓘ |
| notableFor |
complex rhythmic structures
ⓘ
development of leitmotifs from The Matrix (film score) ⓘ integration of orchestral and electronic elements ⓘ |
| partOf | The Matrix film series NERFINISHED ⓘ |
| primaryComposer | Don Davis NERFINISHED ⓘ |
| publicationYear | 2003 ⓘ |
| recordingEra | early 2000s ⓘ |
| releaseDecade | 2000s ⓘ |
| usedIn |
The Matrix Reloaded Burly Brawl sequence
NERFINISHED
ⓘ
The Matrix Reloaded Chateau fight sequence ⓘ The Matrix Reloaded freeway chase sequence NERFINISHED ⓘ |
| usesInstrumentation |
choir
ⓘ
electronics ⓘ orchestra ⓘ percussion ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: The Matrix Reloaded (film score) Description of subject: The Matrix Reloaded (film score) is Don Davis’s orchestral and electronic soundtrack for the 2003 science-fiction film, expanding on the original Matrix’s musical themes with more complex, rhythmically intense compositions.
Referenced by (2)
Full triples — surface form annotated when it differs from this entity's canonical label.