Rondo-Burleske: Allegro assai
E781302
"Rondo-Burleske: Allegro assai" is the turbulent, scherzo-like third movement of Gustav Mahler’s Symphony No. 9, noted for its biting irony, contrapuntal complexity, and intense rhythmic drive.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Rondo-Burleske: Allegro assai canonical | 2 |
How this entity was disambiguated
This entity first appeared as the object of triple T9150239 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Rondo-Burleske: Allegro assai Context triple: [Symphony No. 9 in D major, thirdMovementTitle, Rondo-Burleske: Allegro assai]
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A.
III. Rondo: Allegro non troppo
"III. Rondo: Allegro non troppo" is the lively, rondo-form final movement of Brahms’s Piano Concerto No. 1 in D minor, characterized by its energetic themes and dramatic contrasts.
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B.
III. Rondo: Allegro in E-flat major
III. Rondo: Allegro in E-flat major is the exuberant, triumphant final movement of Beethoven’s Piano Concerto No. 5 in E-flat major, Op. 73, commonly known as the "Emperor" Concerto.
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C.
Adagio finale
Adagio finale is the expansive, deeply lyrical closing movement of Gustav Mahler’s Symphony No. 3, renowned for its profound emotional depth and spiritual character.
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D.
Menuet II
Menuet II is the second of the two minuet sections in the final movement of George Frideric Handel’s orchestral suite "Music for the Royal Fireworks," often performed as part of the complete work.
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E.
IV. Allegro con brio
"IV. Allegro con brio" is the vigorous, high-spirited final movement of Beethoven’s Symphony No. 7 in A major, Op. 92, renowned for its relentless rhythmic drive and exuberant energy.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Rondo-Burleske: Allegro assai Target entity description: "Rondo-Burleske: Allegro assai" is the turbulent, scherzo-like third movement of Gustav Mahler’s Symphony No. 9, noted for its biting irony, contrapuntal complexity, and intense rhythmic drive.
-
A.
III. Rondo: Allegro non troppo
"III. Rondo: Allegro non troppo" is the lively, rondo-form final movement of Brahms’s Piano Concerto No. 1 in D minor, characterized by its energetic themes and dramatic contrasts.
-
B.
III. Rondo: Allegro in E-flat major
III. Rondo: Allegro in E-flat major is the exuberant, triumphant final movement of Beethoven’s Piano Concerto No. 5 in E-flat major, Op. 73, commonly known as the "Emperor" Concerto.
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C.
Adagio finale
Adagio finale is the expansive, deeply lyrical closing movement of Gustav Mahler’s Symphony No. 3, renowned for its profound emotional depth and spiritual character.
-
D.
Menuet II
Menuet II is the second of the two minuet sections in the final movement of George Frideric Handel’s orchestral suite "Music for the Royal Fireworks," often performed as part of the complete work.
-
E.
IV. Allegro con brio
"IV. Allegro con brio" is the vigorous, high-spirited final movement of Beethoven’s Symphony No. 7 in A major, Op. 92, renowned for its relentless rhythmic drive and exuberant energy.
- F. None of above. chosen
Statements (41)
| Predicate | Object |
|---|---|
| instanceOf |
orchestral work movement
ⓘ
symphonic movement ⓘ |
| associatedWith | Austro-German symphonic tradition ⓘ |
| belongsToRepertoire | late-Romantic symphonic repertoire ⓘ |
| cataloguedIn | Mahler’s symphonic oeuvre ⓘ |
| character | burlesque ⓘ |
| composer | Gustav Mahler NERFINISHED ⓘ |
| contrastsWith | Adagio (fourth movement of Symphony No. 9) in mood and tempo ⓘ |
| dedicatedComposer | Gustav Mahler NERFINISHED ⓘ |
| expressiveAim | satirical distortion of dance and march elements ⓘ |
| followedBy | Adagio (fourth movement of Symphony No. 9) NERFINISHED ⓘ |
| form | rondo ⓘ |
| genre | symphonic scherzo ⓘ |
| historicalContext | early 20th-century orchestral music ⓘ |
| influencedBy | tradition of the symphonic scherzo ⓘ |
| languageOfTitle | Italian ⓘ |
| mood |
sarcastic
ⓘ
turbulent ⓘ |
| movementNumber | 3 ⓘ |
| notedFor |
biting irony
ⓘ
contrapuntal complexity ⓘ intense rhythmic drive ⓘ |
| orchestration | large late-Romantic orchestra ⓘ |
| partOf | Symphony No. 9 (Mahler) NERFINISHED ⓘ |
| performancePractice | often played with extreme intensity and precision ⓘ |
| period | late Romantic / early modernist ⓘ |
| placeInCycle | third of four movements in Symphony No. 9 ⓘ |
| positionInWork | penultimate movement ⓘ |
| precededBy | Im Tempo eines gemächlichen Ländlers (second movement of Symphony No. 9) NERFINISHED ⓘ |
| premieredAsPartOf | premiere of Mahler’s Symphony No. 9 ⓘ |
| style | scherzo-like ⓘ |
| tempoIndication | Allegro assai ⓘ |
| texture | highly contrapuntal ⓘ |
| tonalLanguage | late-Romantic ⓘ |
| typicalDuration | approximately 12–15 minutes ⓘ |
| usesTechnique |
complex counterpoint
ⓘ
irregular rhythms ⓘ orchestral sarcasm ⓘ |
| workKeyStatus | tonally complex and ambiguous ⓘ |
| workTitleElement |
Allegro assai
ⓘ
Rondo-Burleske NERFINISHED ⓘ |
How these facts were elicited
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You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Rondo-Burleske: Allegro assai Description of subject: "Rondo-Burleske: Allegro assai" is the turbulent, scherzo-like third movement of Gustav Mahler’s Symphony No. 9, noted for its biting irony, contrapuntal complexity, and intense rhythmic drive.
Referenced by (2)
Full triples — surface form annotated when it differs from this entity's canonical label.