Gerald Finzi’s Lo, the full, final sacrifice
E773772
Gerald Finzi’s *Lo, the full, final sacrifice* is a mid-20th-century English choral anthem for choir and organ that sets devotional texts by Richard Crashaw in a characteristically lyrical and contemplative style.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Gerald Finzi’s Lo, the full, final sacrifice canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T9036422 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Gerald Finzi’s Lo, the full, final sacrifice Context triple: [Walter Hussey, commissioned, Gerald Finzi’s Lo, the full, final sacrifice]
-
A.
Cantus in Memory of Benjamin Britten
Cantus in Memory of Benjamin Britten is a meditative, minimalist orchestral work for string orchestra and bell composed by Arvo Pärt as an elegy to the British composer Benjamin Britten.
-
B.
Britten War Requiem
Britten's War Requiem is a large-scale choral and orchestral work that juxtaposes the traditional Latin Requiem Mass with the anti-war poetry of Wilfred Owen to create a powerful pacifist statement.
-
C.
The Lark Ascending
The Lark Ascending is a lyrical, pastoral piece for solo violin and orchestra by English composer Ralph Vaughan Williams, celebrated for its evocation of birdsong and the English countryside.
-
D.
Musikalische Exequien
Musikalische Exequien is a 17th-century German funeral music composition by Heinrich Schütz that is regarded as one of the earliest and most significant Lutheran requiem works.
-
E.
Tallis
Tallis is a surname most notably associated with individuals such as Australian rugby league player Gorden Tallis and various historical and contemporary figures.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Gerald Finzi’s Lo, the full, final sacrifice Target entity description: Gerald Finzi’s *Lo, the full, final sacrifice* is a mid-20th-century English choral anthem for choir and organ that sets devotional texts by Richard Crashaw in a characteristically lyrical and contemplative style.
-
A.
Cantus in Memory of Benjamin Britten
Cantus in Memory of Benjamin Britten is a meditative, minimalist orchestral work for string orchestra and bell composed by Arvo Pärt as an elegy to the British composer Benjamin Britten.
-
B.
Britten War Requiem
Britten's War Requiem is a large-scale choral and orchestral work that juxtaposes the traditional Latin Requiem Mass with the anti-war poetry of Wilfred Owen to create a powerful pacifist statement.
-
C.
The Lark Ascending
The Lark Ascending is a lyrical, pastoral piece for solo violin and orchestra by English composer Ralph Vaughan Williams, celebrated for its evocation of birdsong and the English countryside.
-
D.
Musikalische Exequien
Musikalische Exequien is a 17th-century German funeral music composition by Heinrich Schütz that is regarded as one of the earliest and most significant Lutheran requiem works.
-
E.
Tallis
Tallis is a surname most notably associated with individuals such as Australian rugby league player Gorden Tallis and various historical and contemporary figures.
- F. None of above. chosen
Statements (41)
| Predicate | Object |
|---|---|
| instanceOf | choral anthem ⓘ |
| accompaniment | organ ⓘ |
| approximateDateOfComposition | 1946 ⓘ |
| associatedComposer | Gerald Finzi NERFINISHED ⓘ |
| catalogueNumber | Op. 26 ⓘ |
| composer | Gerald Finzi NERFINISHED ⓘ |
| composerStylePeriod | English 20th-century tonal ⓘ |
| countryOfOrigin | United Kingdom ⓘ |
| denominationalContext | Anglican NERFINISHED ⓘ |
| duration | approximately 15 minutes ⓘ |
| firstPublicationYear | 1947 ⓘ |
| genre |
Anglican church music
ⓘ
anthem ⓘ |
| hasMovement | sectional continuous form ⓘ |
| influencedBy |
English choral tradition
ⓘ
Renaissance and Baroque sacred music ⓘ |
| key | G major ⓘ |
| language | English ⓘ |
| liturgicalUse | Eucharist NERFINISHED ⓘ |
| notableCharacteristic |
expressive word-painting
ⓘ
extended, through-composed structure ⓘ rich harmonic language ⓘ |
| period | 20th century ⓘ |
| placeInComposerOutput | major sacred choral work by Gerald Finzi ⓘ |
| publisher | Boosey & Hawkes NERFINISHED ⓘ |
| religiousTradition | Christianity ⓘ |
| scoring |
choir
ⓘ
organ ⓘ |
| style |
contemplative
ⓘ
lyrical ⓘ |
| subjectMatter | Eucharistic sacrifice NERFINISHED ⓘ |
| subjectOf | recordings by English cathedral and collegiate choirs ⓘ |
| textAuthor | Richard Crashaw NERFINISHED ⓘ |
| textSource |
Adoro te devote
ⓘ
Lauda Sion NERFINISHED ⓘ |
| textSourceAuthor | Thomas Aquinas NERFINISHED ⓘ |
| textType | devotional poetry ⓘ |
| typicalPerformanceContext |
church service
ⓘ
concert performance ⓘ |
| vocalForces | SATB choir ⓘ |
| workTitle | Lo, the full, final sacrifice NERFINISHED ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Gerald Finzi’s Lo, the full, final sacrifice Description of subject: Gerald Finzi’s *Lo, the full, final sacrifice* is a mid-20th-century English choral anthem for choir and organ that sets devotional texts by Richard Crashaw in a characteristically lyrical and contemplative style.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.