You’ve Got to Be Modernistic
E762062
"You’ve Got to Be Modernistic" is a 1928 jazz piano composition by James P. Johnson, celebrated as a pioneering stride piano piece that foreshadowed later modern jazz harmonies and rhythms.
All labels observed (1)
| Label | Occurrences |
|---|---|
| You’ve Got to Be Modernistic canonical | 3 |
How this entity was disambiguated
This entity first appeared as the object of triple T8843208 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: You’ve Got to Be Modernistic Context triple: [Modernistic, includesCoverVersionOf, You’ve Got to Be Modernistic]
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A.
The New Modernism
The New Modernism is a theological and philosophical critique by Cornelius Van Til that challenges modernist and neo-orthodox approaches to Christianity from a presuppositional Reformed perspective.
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B.
The Modern
The Modern is a renowned contemporary art museum in Fort Worth, Texas, known for its striking Tadao Ando–designed building and significant collection of post–World War II art.
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C.
The Senses of Modernism
The Senses of Modernism is a scholarly study that examines how modernist literature engages with perception and sensory experience in the context of technological and cultural change.
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D.
This Is the Modern World
"This Is the Modern World" is the second studio album by British punk rock/mod revival band The Jam, showcasing their early, politically charged sound.
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E.
Modernistic
Modernistic is a critically acclaimed jazz album by pianist and composer Jason Moran that showcases his innovative blend of tradition and experimentation.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: You’ve Got to Be Modernistic Target entity description: "You’ve Got to Be Modernistic" is a 1928 jazz piano composition by James P. Johnson, celebrated as a pioneering stride piano piece that foreshadowed later modern jazz harmonies and rhythms.
-
A.
The New Modernism
The New Modernism is a theological and philosophical critique by Cornelius Van Til that challenges modernist and neo-orthodox approaches to Christianity from a presuppositional Reformed perspective.
-
B.
The Modern
The Modern is a renowned contemporary art museum in Fort Worth, Texas, known for its striking Tadao Ando–designed building and significant collection of post–World War II art.
-
C.
The Senses of Modernism
The Senses of Modernism is a scholarly study that examines how modernist literature engages with perception and sensory experience in the context of technological and cultural change.
-
D.
This Is the Modern World
"This Is the Modern World" is the second studio album by British punk rock/mod revival band The Jam, showcasing their early, politically charged sound.
-
E.
Modernistic
Modernistic is a critically acclaimed jazz album by pianist and composer Jason Moran that showcases his innovative blend of tradition and experimentation.
- F. None of above. chosen
Statements (24)
| Predicate | Object |
|---|---|
| instanceOf |
jazz composition
ⓘ
musical composition ⓘ |
| associatedWith | Harlem Renaissance NERFINISHED ⓘ |
| composer | James P. Johnson NERFINISHED ⓘ |
| countryOfOrigin |
United States of America
ⓘ
surface form:
United States
|
| describedAs |
forward-looking jazz composition
ⓘ
pioneering stride piano piece ⓘ |
| foreshadowed |
modern jazz harmonies
ⓘ
modern jazz rhythms ⓘ |
| genre | jazz ⓘ |
| hasCreator | James P. Johnson NERFINISHED ⓘ |
| hasInfluenceOn | jazz pianists ⓘ |
| influenced | later modern jazz piano styles ⓘ |
| instrumentation | solo piano ⓘ |
| language | instrumental ⓘ |
| movement | Harlem stride tradition NERFINISHED ⓘ |
| notableFor |
advanced jazz harmonies
ⓘ
pioneering stride piano techniques ⓘ rhythmic innovations ⓘ |
| partOf | James P. Johnson repertoire ⓘ |
| publicationYear | 1928 ⓘ |
| style | stride ⓘ |
| subgenre | stride piano ⓘ |
| yearOfComposition | 1928 ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: You’ve Got to Be Modernistic Description of subject: "You’ve Got to Be Modernistic" is a 1928 jazz piano composition by James P. Johnson, celebrated as a pioneering stride piano piece that foreshadowed later modern jazz harmonies and rhythms.
Referenced by (3)
Full triples — surface form annotated when it differs from this entity's canonical label.