Organic Honey’s Visual Telepathy
E760212
Organic Honey’s Visual Telepathy is a pioneering 1970s video and performance work by Joan Jonas that explores female identity, media, and perception through a fragmented alter ego.
Statements (49)
| Predicate | Object |
|---|---|
| instanceOf |
performance art work
ⓘ
video art work ⓘ |
| artHistoricalContext |
1970s performance art
ⓘ
early video art in New York ⓘ |
| artist | Joan Jonas NERFINISHED ⓘ |
| characterType | fragmented alter ego ⓘ |
| countryOfOrigin |
United States of America
ⓘ
surface form:
United States
|
| creator | Joan Jonas NERFINISHED ⓘ |
| creatorRole |
Joan Jonas as director
NERFINISHED
ⓘ
Joan Jonas as editor ⓘ Joan Jonas as performer ⓘ |
| exploresTheme |
doubling and reflection
ⓘ
female subjectivity ⓘ fragmentation of identity ⓘ mediation of the body by technology ⓘ performance and spectatorship ⓘ role of the camera in constructing identity ⓘ surveillance and looking ⓘ |
| featuresCharacter | Organic Honey NERFINISHED ⓘ |
| genre |
performance art
ⓘ
video art ⓘ |
| hasFormat |
live performance with video
ⓘ
single-channel video ⓘ |
| hasInfluenced |
contemporary video performance
ⓘ
feminist media art ⓘ |
| influencedBy |
early video technology
ⓘ
feminist theory ⓘ performance art of the 1970s ⓘ |
| language | English ⓘ |
| mainSubject |
alter ego
ⓘ
female identity ⓘ media ⓘ perception ⓘ performance for camera ⓘ self-representation ⓘ |
| movement |
conceptual art
ⓘ
feminist art ⓘ postminimalism ⓘ |
| notableFor |
complex play with mirrors and monitors
ⓘ
early use of video in performance ⓘ exploration of female identity through an alter ego ⓘ investigation of how media shapes perception ⓘ |
| partOf | Joan Jonas’s Organic Honey series NERFINISHED ⓘ |
| startTime | 1970s ⓘ |
| usesMedium |
closed-circuit video
ⓘ
costume ⓘ mirrors ⓘ performance ⓘ video ⓘ |
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.