Symphony No. 6 "Fantaisies symphoniques"
E757738
Symphony No. 6 "Fantaisies symphoniques" is a three-movement, late-period symphony by Bohuslav Martinů that blends neoclassical clarity with imaginative, dreamlike orchestral textures.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Symphony No. 6 "Fantaisies symphoniques" canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T8788921 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Symphony No. 6 "Fantaisies symphoniques" Context triple: [Bohuslav Martinů, notableWork, Symphony No. 6 "Fantaisies symphoniques"]
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A.
Symphony No. 6 in E minor
Symphony No. 6 in E minor is a powerful and often darkly intense orchestral work by Ralph Vaughan Williams, noted for its dramatic contrasts and enigmatic, quiet finale.
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B.
Symphony No. 6
Symphony No. 6 is a mid-20th-century symphonic work by British composer Malcolm Arnold, noted for its vivid orchestration and emotional intensity.
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C.
Symphony No. 6
Symphony No. 6 is a large-scale orchestral work by British composer Peter Maxwell Davies, reflecting his distinctive modernist style and often noted for its complex structure and expressive intensity.
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D.
Symphony No. 6
Symphony No. 6 is a contemporary orchestral work by American composer John Harbison that reflects his modern yet accessible style and command of large-scale symphonic form.
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E.
Symphony No. 7
Symphony No. 7 is a large-scale orchestral work by British composer Malcolm Arnold, reflecting his distinctive blend of vivid orchestration, emotional intensity, and accessible modernism.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Symphony No. 6 "Fantaisies symphoniques" Target entity description: Symphony No. 6 "Fantaisies symphoniques" is a three-movement, late-period symphony by Bohuslav Martinů that blends neoclassical clarity with imaginative, dreamlike orchestral textures.
-
A.
Symphony No. 6 in E minor
Symphony No. 6 in E minor is a powerful and often darkly intense orchestral work by Ralph Vaughan Williams, noted for its dramatic contrasts and enigmatic, quiet finale.
-
B.
Symphony No. 6
Symphony No. 6 is a mid-20th-century symphonic work by British composer Malcolm Arnold, noted for its vivid orchestration and emotional intensity.
-
C.
Symphony No. 6
Symphony No. 6 is a large-scale orchestral work by British composer Peter Maxwell Davies, reflecting his distinctive modernist style and often noted for its complex structure and expressive intensity.
-
D.
Symphony No. 6
Symphony No. 6 is a contemporary orchestral work by American composer John Harbison that reflects his modern yet accessible style and command of large-scale symphonic form.
-
E.
Symphony No. 7
Symphony No. 7 is a large-scale orchestral work by British composer Malcolm Arnold, reflecting his distinctive blend of vivid orchestration, emotional intensity, and accessible modernism.
- F. None of above. chosen
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf | symphony ⓘ |
| aestheticAim | blend of structural clarity and fantasy ⓘ |
| alsoKnownAs |
Fantaisies symphoniques
NERFINISHED
ⓘ
Symphony No. 6 NERFINISHED ⓘ Symphony No. 6 in E-flat major NERFINISHED ⓘ |
| approximateDurationMinutes | 25–30 ⓘ |
| belongsToCentury | 20th century ⓘ |
| composer | Bohuslav Martinů NERFINISHED ⓘ |
| composerBirthYear | 1890 ⓘ |
| composerDeathYear | 1959 ⓘ |
| composerFullName | Bohuslav Jan Martinů NERFINISHED ⓘ |
| composerNationality | Czech ⓘ |
| countryOfComposer | Czechoslovakia NERFINISHED ⓘ |
| expressiveCharacter |
dreamlike
ⓘ
imaginative ⓘ lyrical ⓘ |
| formalCharacteristic |
fantasia-like continuity
ⓘ
free treatment of symphonic form ⓘ |
| genre | concert music ⓘ |
| harmonicLanguage |
20th-century tonal
ⓘ
modal inflections ⓘ |
| hasMovement |
first movement
ⓘ
second movement ⓘ third movement ⓘ |
| historicalContext | post-World War II music ⓘ |
| intendedVenue | concert hall ⓘ |
| languageOfTitle | French ⓘ |
| movementCount | 3 ⓘ |
| numberInSeries | 6 ⓘ |
| orchestration | large orchestra ⓘ |
| orchestrationCharacteristic |
coloristic use of instruments
ⓘ
contrasting instrumental timbres ⓘ |
| periodInComposerOutput | late period ⓘ |
| rhythmicCharacteristic |
changing meters
ⓘ
syncopation ⓘ |
| style | neoclassical ⓘ |
| styleCharacteristic |
clarity of texture
ⓘ
dreamlike orchestral textures ⓘ imaginative orchestration ⓘ |
| textureCharacteristic |
layered sonorities
ⓘ
transparent textures ⓘ |
| titleMeaning | symphonic fantasies ⓘ |
| tonalCenter | E-flat major ⓘ |
| usesTechniques |
motivic development
ⓘ
orchestral color contrasts ⓘ textural layering ⓘ |
| workSeries | symphonies by Bohuslav Martinů ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: Symphony No. 6 "Fantaisies symphoniques" Description of subject: Symphony No. 6 "Fantaisies symphoniques" is a three-movement, late-period symphony by Bohuslav Martinů that blends neoclassical clarity with imaginative, dreamlike orchestral textures.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.