Three Pieces for Orchestra, Op. 6
E753456
Three Pieces for Orchestra, Op. 6 is a seminal early 20th-century orchestral work by Alban Berg that showcases his transition into the atonal, expressionist style associated with the Second Viennese School.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Three Pieces for Orchestra, Op. 6 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T8729356 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Three Pieces for Orchestra, Op. 6 Context triple: [Alban Berg, notableWork, Three Pieces for Orchestra, Op. 6]
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A.
Five Pieces for Orchestra, Op. 10
Five Pieces for Orchestra, Op. 10 is a brief, highly concentrated atonal orchestral work by Anton Webern that exemplifies his early modernist, expressionist style and innovative use of timbre.
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B.
Essay for Orchestra No. 3, Op. 47
Essay for Orchestra No. 3, Op. 47 is a late orchestral work by American composer Samuel Barber, showcasing his lyrical style and rich orchestration in a single-movement symphonic essay form.
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C.
Five Orchestral Pieces, Op. 16
Five Orchestral Pieces, Op. 16 is a landmark early 20th-century orchestral work by Arnold Schoenberg that exemplifies his move toward atonality and highly expressive, coloristic writing.
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D.
Essay for Orchestra No. 1, Op. 12
Essay for Orchestra No. 1, Op. 12 is a single-movement orchestral work by American composer Samuel Barber that combines symphonic development with the concentrated argument of a literary essay.
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E.
Trois esquisses symphoniques pour orchestre
Trois esquisses symphoniques pour orchestre is the French subtitle of Claude Debussy’s orchestral masterpiece "La Mer," a landmark Impressionist depiction of the sea in three symphonic sketches.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Three Pieces for Orchestra, Op. 6 Target entity description: Three Pieces for Orchestra, Op. 6 is a seminal early 20th-century orchestral work by Alban Berg that showcases his transition into the atonal, expressionist style associated with the Second Viennese School.
-
A.
Five Pieces for Orchestra, Op. 10
Five Pieces for Orchestra, Op. 10 is a brief, highly concentrated atonal orchestral work by Anton Webern that exemplifies his early modernist, expressionist style and innovative use of timbre.
-
B.
Essay for Orchestra No. 3, Op. 47
Essay for Orchestra No. 3, Op. 47 is a late orchestral work by American composer Samuel Barber, showcasing his lyrical style and rich orchestration in a single-movement symphonic essay form.
-
C.
Five Orchestral Pieces, Op. 16
Five Orchestral Pieces, Op. 16 is a landmark early 20th-century orchestral work by Arnold Schoenberg that exemplifies his move toward atonality and highly expressive, coloristic writing.
-
D.
Essay for Orchestra No. 1, Op. 12
Essay for Orchestra No. 1, Op. 12 is a single-movement orchestral work by American composer Samuel Barber that combines symphonic development with the concentrated argument of a literary essay.
-
E.
Trois esquisses symphoniques pour orchestre
Trois esquisses symphoniques pour orchestre is the French subtitle of Claude Debussy’s orchestral masterpiece "La Mer," a landmark Impressionist depiction of the sea in three symphonic sketches.
- F. None of above. chosen
Statements (48)
| Predicate | Object |
|---|---|
| instanceOf |
concert work
ⓘ
orchestral composition ⓘ |
| alsoKnownAs | Drei Orchesterstücke NERFINISHED ⓘ |
| approximateCompositionYears | 1913–1915 ⓘ |
| associatedMovement | musical modernism ⓘ |
| associatedWith | Second Viennese School NERFINISHED ⓘ |
| catalogueStatus | one of Alban Berg’s best-known orchestral works ⓘ |
| composer | Alban Berg NERFINISHED ⓘ |
| compositionPeriod | early 20th century ⓘ |
| countryOfOrigin | Austria ⓘ |
| dedicatedTo | Arnold Schoenberg NERFINISHED ⓘ |
| genre |
expressionist music
ⓘ
orchestral music ⓘ |
| historicalSignificance | seminal early 20th-century orchestral work ⓘ |
| influencedBy |
Arnold Schoenberg
NERFINISHED
ⓘ
Gustav Mahler NERFINISHED ⓘ |
| key | atonal (no fixed key) ⓘ |
| language | none (instrumental) ⓘ |
| marksTransitionTo |
atonal style
ⓘ
expressionist style ⓘ |
| movement |
Marsch
ⓘ
Präludium ⓘ Reigen NERFINISHED ⓘ |
| movementNumber |
1
ⓘ
2 ⓘ 3 ⓘ |
| movementTitle1 | Präludium ⓘ |
| movementTitle2 | Reigen NERFINISHED ⓘ |
| movementTitle3 | Marsch ⓘ |
| numberOfMovements | 3 ⓘ |
| opusNumber | Op. 6 ⓘ |
| orchestration | large orchestra ⓘ |
| partOf | 20th-century orchestral canon ⓘ |
| placeInRepertoire | standard 20th-century orchestral repertoire ⓘ |
| premiereConductor | Arnold Schoenberg NERFINISHED ⓘ |
| premiereLocation | Vienna NERFINISHED ⓘ |
| premiereYear | 1915 ⓘ |
| publisher | Universal Edition NERFINISHED ⓘ |
| relatedComposer |
Anton Webern
NERFINISHED
ⓘ
Arnold Schoenberg NERFINISHED ⓘ Gustav Mahler NERFINISHED ⓘ |
| relatedSchool | Second Viennese School NERFINISHED ⓘ |
| significanceInComposerOutput | major early orchestral work by Alban Berg ⓘ |
| style | atonal ⓘ |
| typicalDuration | about 20 minutes ⓘ |
| uses |
complex orchestral textures
ⓘ
expanded percussion ⓘ |
| workTitleInGerman | Drei Orchesterstücke, op. 6 NERFINISHED ⓘ |
How these facts were elicited
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You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Three Pieces for Orchestra, Op. 6 Description of subject: Three Pieces for Orchestra, Op. 6 is a seminal early 20th-century orchestral work by Alban Berg that showcases his transition into the atonal, expressionist style associated with the Second Viennese School.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.