What Is Cinema?
E747629
What Is Cinema? is a seminal collection of essays by French film theorist André Bazin that helped define modern film theory and the concept of cinematic realism.
All labels observed (1)
| Label | Occurrences |
|---|---|
| What Is Cinema? canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T8626511 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: What Is Cinema? Context triple: [André Bazin, notableWork, What Is Cinema?]
-
A.
“Discovering Cinema”
“Discovering Cinema” is a musical piece or movement from Ennio Morricone’s acclaimed score for the film *Cinema Paradiso*, reflecting the movie’s nostalgic and emotional themes.
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B.
Cinema 1: The Movement-Image
"Cinema 1: The Movement-Image" is a seminal philosophical work by Gilles Deleuze that develops a rigorous taxonomy of cinematic images and signs to rethink movement, time, and perception in film.
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C.
Cinema 2: The Time-Image
Cinema 2: The Time-Image is a major philosophical work by Gilles Deleuze that develops a theory of modern cinema through the concept of the "time-image," emphasizing new ways films represent time, perception, and thought.
-
D.
The Film Sense
The Film Sense is a seminal theoretical work by Soviet filmmaker Sergei Eisenstein that explores the principles of film montage and cinematic expression.
-
E.
CINE
CINE is the London Stock Exchange ticker symbol for Cineworld Group, one of the world’s largest cinema chains.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: What Is Cinema? Target entity description: What Is Cinema? is a seminal collection of essays by French film theorist André Bazin that helped define modern film theory and the concept of cinematic realism.
-
A.
“Discovering Cinema”
“Discovering Cinema” is a musical piece or movement from Ennio Morricone’s acclaimed score for the film *Cinema Paradiso*, reflecting the movie’s nostalgic and emotional themes.
-
B.
Cinema 1: The Movement-Image
"Cinema 1: The Movement-Image" is a seminal philosophical work by Gilles Deleuze that develops a rigorous taxonomy of cinematic images and signs to rethink movement, time, and perception in film.
-
C.
Cinema 2: The Time-Image
Cinema 2: The Time-Image is a major philosophical work by Gilles Deleuze that develops a theory of modern cinema through the concept of the "time-image," emphasizing new ways films represent time, perception, and thought.
-
D.
The Film Sense
The Film Sense is a seminal theoretical work by Soviet filmmaker Sergei Eisenstein that explores the principles of film montage and cinematic expression.
-
E.
CINE
CINE is the London Stock Exchange ticker symbol for Cineworld Group, one of the world’s largest cinema chains.
- F. None of above. chosen
Statements (45)
| Predicate | Object |
|---|---|
| instanceOf |
book
ⓘ
essay collection ⓘ film theory book ⓘ |
| academicDiscipline | film studies ⓘ |
| associatedWith |
Cahiers du Cinéma
NERFINISHED
ⓘ
French New Wave NERFINISHED ⓘ |
| author | André Bazin NERFINISHED ⓘ |
| centralConcept |
cinema as objective recording of reality
ⓘ
evolution of film language ⓘ myth of total cinema ⓘ |
| countryOfOrigin | France ⓘ |
| describes |
distinction between cinema and theater
ⓘ
ontological status of the photographic image ⓘ relationship between cinema and reality ⓘ |
| EnglishEditionPublicationDate | 1967 ⓘ |
| EnglishEditionPublisher | University of California Press NERFINISHED ⓘ |
| genre |
film theory
ⓘ
non-fiction ⓘ |
| hasCriticalReception | seminal work in film theory ⓘ |
| hasForm | collection of previously published essays ⓘ |
| hasPart |
An Aesthetic of Reality
NERFINISHED
ⓘ
Ontology of the Photographic Image NERFINISHED ⓘ The Evolution of the Language of Cinema NERFINISHED ⓘ The Myth of Total Cinema NERFINISHED ⓘ Theater and Cinema NERFINISHED ⓘ |
| hasPerspective | realist aesthetics over montage formalism ⓘ |
| influenced |
auteur theory
ⓘ
modern film theory ⓘ theory of cinematic realism ⓘ |
| influencedBy | realism (aesthetics) ⓘ |
| languageOfWorkOrName | French ⓘ |
| libraryOfCongressClassification | PN1994 ⓘ |
| mainSubject |
cinema
ⓘ
cinematic realism ⓘ film theory ⓘ |
| movement |
French film theory
ⓘ
realist film theory ⓘ |
| notableWorkOf | André Bazin NERFINISHED ⓘ |
| numberOfVolumes | 2 ⓘ |
| originalLanguage | French ⓘ |
| publicationDate | 1958 ⓘ |
| publisher | Éditions du Cerf NERFINISHED ⓘ |
| title | Qu’est-ce que le cinéma ? NERFINISHED ⓘ |
| translatedInto | English ⓘ |
| usedAs | textbook in film studies courses ⓘ |
How these facts were elicited
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You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: What Is Cinema? Description of subject: What Is Cinema? is a seminal collection of essays by French film theorist André Bazin that helped define modern film theory and the concept of cinematic realism.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.