Harry Gregson-Williams

E74543

Harry Gregson-Williams is a British composer best known for his film and video game scores, including work on the "Shrek" series, "The Chronicles of Narnia," and the "Metal Gear Solid" franchise.

All labels observed (2)

Label Occurrences
Harry Gregson-Williams canonical 85
Gregson-Williams 2

How this entity was disambiguated

Statements (51)

Predicate Object
instanceOf conductor
film composer
human
record producer
video game composer
countryOfCitizenship United Kingdom
dateOfBirth 1961-12-13
educatedAt Guildhall School of Music and Drama
St John’s College School, Cambridge
employer Remote Control Productions
familyName Harry Gregson-Williams self-linksurface differs
surface form: Gregson-Williams
genre contemporary classical music
film score
video game music
givenName Harry
hasWebsite http://www.harrygregson-williams.com/
instrument keyboards
piano
name Harry Gregson-Williams self-link
nationality British
notableWork Antz (film score, co-composed)
Arthur Christmas (film score)
Chicken Run (film score, co-composed)
Déjà Vu (film score)
Enemy of the State (film score)
Kingdom of Heaven (film score)
Man on Fire (film score)
Metal Gear Solid 2: Sons of Liberty (video game score)
Metal Gear Solid 3: Snake Eater (video game score)
Metal Gear Solid 4: Guns of the Patriots
surface form: Metal Gear Solid 4: Guns of the Patriots (video game score)

Phone Booth (film score)
Shrek (film score)
Shrek 2
surface form: Shrek 2 (film score)

Shrek the Third
surface form: Shrek the Third (film score)

Sinbad: Legend of the Seven Seas (film score)
Spy Game (film score)
Team America: World Police (additional music)
The Chronicles of Narnia: Prince Caspian (film score)
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (film score)
The Equalizer (film score)
The Martian (film score)
The Town (film score)
Unstoppable (film score)
X-Men Origins: Wolverine (film score)
occupation composer
conductor
music producer
placeOfBirth Sussex
residence Los Angeles
sibling Rupert Gregson-Williams
workedWith Hans Zimmer

How these facts were elicited

Referenced by (87)

Full triples — surface form annotated when it differs from this entity's canonical label.

Kingdom of Heaven (film score) composer Harry Gregson-Williams
Kingdom of Heaven (film score) notableWorkOf Harry Gregson-Williams
Kingdom of Heaven (film score) partOfCareerOf Harry Gregson-Williams
Man on Fire (film score) composer Harry Gregson-Williams
Enemy of the State (film score) composer Harry Gregson-Williams
Spy Game (film score) composer Harry Gregson-Williams
Spy Game (film score) notableWorkOf Harry Gregson-Williams
The Martian (film score) composer Harry Gregson-Williams
The Martian (film score) producer Harry Gregson-Williams
The Martian (film score) workOf Harry Gregson-Williams
The Martian (film score) hasComposerRole Harry Gregson-Williams
Chicken Run (film score, co-composed) composer Harry Gregson-Williams
Antz (film score, co-composed) composer Harry Gregson-Williams
subject surface form: Antz (film score)
Phone Booth (film score) composer Harry Gregson-Williams
Déjà Vu (film score) composer Harry Gregson-Williams
Unstoppable (film score) composer Harry Gregson-Williams
The Equalizer (film score) composer Harry Gregson-Williams
The Town (film score) composer Harry Gregson-Williams
The Town (film score) notableWorkOf Harry Gregson-Williams
X-Men Origins: Wolverine (film score) composer Harry Gregson-Williams
Arthur Christmas (film score) composer Harry Gregson-Williams
Harry familyName Harry Gregson-Williams
subject surface form: Harry Gregson-Williams
this entity surface form: Gregson-Williams
Seraphim Falls musicBy Harry Gregson-Williams
The Rock (film score) composer Harry Gregson-Williams
Media Ventures hasMember Harry Gregson-Williams
The Rundown musicBy Harry Gregson-Williams
Glennie-Smith hasCollaboratedWith Harry Gregson-Williams
subject surface form: Nick Glennie-Smith
Mulan (2020 film) composer Harry Gregson-Williams
The Borrowers musicBy Harry Gregson-Williams
subject surface form: The Borrowers (1997 film)
Arthur Christmas musicBy Harry Gregson-Williams