Camille Pissarro’s Pontoise period works
E738426
Camille Pissarro’s Pontoise period works are a series of Impressionist landscapes created in and around Pontoise in the 1870s, notable for their naturalistic light, rural subject matter, and foundational role in the development of modern landscape painting.
Statements (46)
| Predicate | Object |
|---|---|
| instanceOf |
Impressionist landscape paintings
ⓘ
series of paintings ⓘ |
| artHistoricalSignificance |
bridge between Impressionism and Post-Impressionism
ⓘ
central to Pissarro’s mature style ⓘ key phase in the consolidation of Impressionist landscape ⓘ |
| associatedWith |
Armand Guillaumin
NERFINISHED
ⓘ
Impressionist exhibitions in Paris ⓘ Paul Cézanne NERFINISHED ⓘ |
| countryOfWork | France NERFINISHED ⓘ |
| creator | Camille Pissarro NERFINISHED ⓘ |
| curatedIn |
Art Institute of Chicago
NERFINISHED
ⓘ
Metropolitan Museum of Art NERFINISHED ⓘ Musée d’Orsay NERFINISHED ⓘ National Gallery, London NERFINISHED ⓘ |
| depicts |
fields around Pontoise
ⓘ
orchards and gardens ⓘ river Oise and its banks ⓘ rural laborers ⓘ village streets of Pontoise ⓘ |
| endTime | 1884 ⓘ |
| genre | landscape painting ⓘ |
| hasPart |
Factory near Pontoise
NERFINISHED
ⓘ
The Banks of the Oise near Pontoise NERFINISHED ⓘ The Côte des Bœufs at L’Hermitage NERFINISHED ⓘ The Garden at Pontoise NERFINISHED ⓘ The Hermitage at Pontoise NERFINISHED ⓘ The Road to Versailles at Louveciennes NERFINISHED ⓘ |
| influenced |
Paul Cézanne’s landscape painting
ⓘ
Post-Impressionist landscape painters ⓘ development of modern landscape painting ⓘ |
| mainLocation | Pontoise NERFINISHED ⓘ |
| movement | Impressionism ⓘ |
| notableCharacteristic |
careful observation of nature
ⓘ
depiction of peasant life ⓘ naturalistic treatment of light ⓘ rural subject matter ⓘ structured compositions ⓘ subtle color harmonies ⓘ |
| paintingTechnique |
broken brushwork
ⓘ
layered touches of color ⓘ plein air painting ⓘ |
| partOf | Camille Pissarro’s oeuvre ⓘ |
| startTime | 1872 ⓘ |
| timePeriod | 1870s ⓘ |
| typicalPalette |
muted greens and earth tones
ⓘ
soft blues and grays ⓘ |
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.