Wie aus der Ferne (No. 17)
E737673
"Wie aus der Ferne" (No. 17) is a reflective, lyrical piano piece by Robert Schumann that forms one of the later, more introspective movements in his Davidsbündlertänze, Op. 6.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Wie aus der Ferne (No. 17) canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T8469639 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Wie aus der Ferne (No. 17) Context triple: [Davidsbündlertänze, Op. 6, containsMovement, Wie aus der Ferne (No. 17)]
-
A.
Faraway, So Close!
Faraway, So Close! is a 1993 fantasy drama film directed by Wim Wenders that continues the story of angels observing and intervening in human life in Berlin, serving as a sequel to his acclaimed film Wings of Desire.
-
B.
Far Away
"Far Away" is a melancholic folk-rock song by Canadian-American singer-songwriter Martha Wainwright, known for its intimate vocals and emotionally raw lyrics.
-
C.
Far Away
"Far Away" is an emotional R&B song by Jessie Reyez that explores the pain and longing of a long-distance relationship, known for its raw vocals and socially conscious music video.
-
D.
Far Away
"Far Away" is a song featured in the Japanese musical production "Leave It to Me!"
-
E.
Out of the Village
Out of the Village is a drama film that follows two siblings in a West African village grappling with the impact of an Ebola outbreak.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Wie aus der Ferne (No. 17) Target entity description: "Wie aus der Ferne" (No. 17) is a reflective, lyrical piano piece by Robert Schumann that forms one of the later, more introspective movements in his Davidsbündlertänze, Op. 6.
-
A.
Faraway, So Close!
Faraway, So Close! is a 1993 fantasy drama film directed by Wim Wenders that continues the story of angels observing and intervening in human life in Berlin, serving as a sequel to his acclaimed film Wings of Desire.
-
B.
Far Away
"Far Away" is a song featured in the Japanese musical production "Leave It to Me!"
-
C.
Far Away
"Far Away" is a melancholic folk-rock song by Canadian-American singer-songwriter Martha Wainwright, known for its intimate vocals and emotionally raw lyrics.
-
D.
Far Away
"Far Away" is an emotional R&B song by Jessie Reyez that explores the pain and longing of a long-distance relationship, known for its raw vocals and socially conscious music video.
-
E.
Out of the Village
Out of the Village is a drama film that follows two siblings in a West African village grappling with the impact of an Ebola outbreak.
- F. None of above. chosen
Statements (42)
| Predicate | Object |
|---|---|
| instanceOf |
character piece
ⓘ
movement ⓘ piano piece ⓘ |
| associatedWith | Davidsbündler (Schumann’s imaginary league of artists) NERFINISHED ⓘ |
| belongsToCatalogue | works by Robert Schumann for solo piano ⓘ |
| catalogueGrouping | Schumann piano cycles NERFINISHED ⓘ |
| composer | Robert Schumann NERFINISHED ⓘ |
| cycleSize | 18 movements ⓘ |
| dedicationContext | part of Davidsbündlertänze dedicated to Walther von Goethe in the original edition ⓘ |
| dynamicCharacter | mostly soft and subdued ⓘ |
| firstPublication | 1837 ⓘ |
| genre | Romantic piano music ⓘ |
| historicalContext | early Romantic German piano repertoire ⓘ |
| influencedBy | Schumann’s literary and poetic interests ⓘ |
| instrumentation | solo piano ⓘ |
| key | B minor ⓘ |
| languageOfTitle | German ⓘ |
| mood |
contemplative
ⓘ
dreamlike ⓘ nostalgic ⓘ |
| movementNumber | 17 ⓘ |
| notableCharacteristic |
evokes a sense of distance and remembrance
ⓘ
serves as a calm, inward-looking moment near the end of the cycle ⓘ |
| notationFeatures |
detailed dynamic indications
ⓘ
expressive phrasing marks ⓘ |
| opusNumber | Op. 6 ⓘ |
| partOf | Davidsbündlertänze, Op. 6 NERFINISHED ⓘ |
| performanceContext |
frequently performed as part of the complete Davidsbündlertänze
ⓘ
sometimes excerpted in recital programs ⓘ |
| performancePractice | often played with rubato ⓘ |
| period | Romantic era ⓘ |
| positionInCycle | later movement ⓘ |
| publisher | Breitkopf & Härtel NERFINISHED ⓘ |
| relatedConcept | Schumann’s dual personae Florestan and Eusebius ⓘ |
| relatedWork | other movements of Davidsbündlertänze, Op. 6 ⓘ |
| style |
introspective
ⓘ
lyrical ⓘ reflective ⓘ |
| tempoMarking | Nicht schnell ⓘ |
| texture | cantabile melody with accompaniment ⓘ |
| titleTranslation | As if from the distance ⓘ |
| typicalDuration | approximately 3–4 minutes ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: Wie aus der Ferne (No. 17) Description of subject: "Wie aus der Ferne" (No. 17) is a reflective, lyrical piano piece by Robert Schumann that forms one of the later, more introspective movements in his Davidsbündlertänze, Op. 6.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.
subject surface form:
Davidsbündlertänze, Op. 6