Zart und singend (No. 14)
E737671
"Zart und singend" (No. 14) is a brief, delicate and songful piano piece by Robert Schumann, forming one of the characterful miniatures within his Davidsbündlertänze, Op. 6.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Zart und singend (No. 14) canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T8469636 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Zart und singend (No. 14) Context triple: [Davidsbündlertänze, Op. 6, containsMovement, Zart und singend (No. 14)]
-
A.
The Wild Dove, Op. 110
The Wild Dove, Op. 110 is a symphonic poem by Antonín Dvořák that vividly depicts a dark folk tale of guilt and retribution through richly expressive orchestral writing.
-
B.
La bonne chanson, Op. 61
La bonne chanson, Op. 61 is a song cycle by Gabriel Fauré, composed for voice and piano (later with chamber ensemble) on poems by Paul Verlaine and regarded as one of his most refined and innovative vocal works.
-
C.
Musikalisches Opfer
Musikalisches Opfer is a collection of complex contrapuntal compositions by Johann Sebastian Bach, renowned for its intricate canons and fugues based on a theme given by Frederick the Great.
-
D.
Gesang der Jünglinge
Gesang der Jünglinge is a pioneering 1956 electroacoustic composition by Karlheinz Stockhausen that combines electronically generated sounds with a boy’s voice, often cited as a landmark in the history of electronic music.
-
E.
Humoresque
Humoresque is a 1946 American romantic drama film about a talented but troubled violinist and his complex relationship with a wealthy, self-destructive patron.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Zart und singend (No. 14) Target entity description: "Zart und singend" (No. 14) is a brief, delicate and songful piano piece by Robert Schumann, forming one of the characterful miniatures within his Davidsbündlertänze, Op. 6.
-
A.
The Wild Dove, Op. 110
The Wild Dove, Op. 110 is a symphonic poem by Antonín Dvořák that vividly depicts a dark folk tale of guilt and retribution through richly expressive orchestral writing.
-
B.
La bonne chanson, Op. 61
La bonne chanson, Op. 61 is a song cycle by Gabriel Fauré, composed for voice and piano (later with chamber ensemble) on poems by Paul Verlaine and regarded as one of his most refined and innovative vocal works.
-
C.
Musikalisches Opfer
Musikalisches Opfer is a collection of complex contrapuntal compositions by Johann Sebastian Bach, renowned for its intricate canons and fugues based on a theme given by Frederick the Great.
-
D.
Gesang der Jünglinge
Gesang der Jünglinge is a pioneering 1956 electroacoustic composition by Karlheinz Stockhausen that combines electronically generated sounds with a boy’s voice, often cited as a landmark in the history of electronic music.
-
E.
Humoresque
Humoresque is a 1946 American romantic drama film about a talented but troubled violinist and his complex relationship with a wealthy, self-destructive patron.
- F. None of above. chosen
Statements (25)
| Predicate | Object |
|---|---|
| instanceOf |
character piece
ⓘ
piano piece ⓘ |
| associatedWith | Davidsbündler (Schumann’s imaginary league of artists) NERFINISHED ⓘ |
| belongsTo | piano repertoire ⓘ |
| catalogueStatus | standard part of complete Davidsbündlertänze performances ⓘ |
| character |
delicate
ⓘ
songful ⓘ |
| composer | Robert Schumann NERFINISHED ⓘ |
| countryOfOrigin | Germany ⓘ |
| cyclePosition | late piece in the Davidsbündlertänze cycle ⓘ |
| dedicatedContext | part of a cycle associated with Clara Wieck (later Clara Schumann) ⓘ |
| firstPublication | as part of Davidsbündlertänze, Op. 6 ⓘ |
| genre | piano miniature ⓘ |
| instrumentation | solo piano ⓘ |
| languageOfTitle | German ⓘ |
| notation | Western staff notation ⓘ |
| opusNumber | Op. 6 ⓘ |
| partOf | Davidsbündlertänze, Op. 6 NERFINISHED ⓘ |
| performancePractice | typically performed on modern concert grand piano ⓘ |
| period | 19th century ⓘ |
| style | Romantic ⓘ |
| texture | lyrical ⓘ |
| titleTranslation | Tender and singing ⓘ |
| typicalDuration | short ⓘ |
| workNumberInSet | 14 ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Zart und singend (No. 14) Description of subject: "Zart und singend" (No. 14) is a brief, delicate and songful piano piece by Robert Schumann, forming one of the characterful miniatures within his Davidsbündlertänze, Op. 6.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.