Schumann’s alter egos Florestan and Eusebius

E737666

Schumann’s alter egos Florestan and Eusebius are contrasting fictional personae—one impetuous and passionate, the other introspective and dreamy—that he used to embody the dual aspects of his musical and emotional character.

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Observed surface forms (3)

Surface form Occurrences
Florestan 0
Eusebius 0
Robert Schumann 0

Statements (44)

Predicate Object
instanceOf fictional persona
literary-musical construct
appearsIn Carnaval, Op. 9 NERFINISHED
Carnaval, Op. 9 NERFINISHED
Davidsbündlertänze, Op. 6 NERFINISHED
Davidsbündlertänze, Op. 6 NERFINISHED
associatedWith Davidsbündler NERFINISHED
Davidsbündler NERFINISHED
characterTrait dreamy
extroverted
impetuous
introspective
introverted
passionate
countryOfOrigin Germany
creator Robert Schumann NERFINISHED
Robert Schumann NERFINISHED
Robert Schumann NERFINISHED
field Romantic music
gender male
male
influenced later conceptions of composer alter egos
later conceptions of composer alter egos
languageOfName Greek
Latin NERFINISHED
movementTitleIn “Eusebius” in Carnaval, Op. 9 NERFINISHED
“Florestan” in Carnaval, Op. 9 NERFINISHED
partOf Schumann’s alter egos Florestan and Eusebius
Schumann’s alter egos Florestan and Eusebius NERFINISHED
represents dual aspects of Robert Schumann’s personality
extreme emotional volatility in Schumann’s self-image
quiet reflection in Schumann’s self-image
symbolizes contemplative side of Robert Schumann
impulsive side of Robert Schumann
usedFor critical voices in Robert Schumann’s music journalism
self-commentary in Robert Schumann’s writings
usedIn Robert Schumann’s diaries
Robert Schumann’s diaries
Robert Schumann’s letters
Robert Schumann’s letters
music criticism by Robert Schumann
music criticism by Robert Schumann
usesPersona Eusebius NERFINISHED
Florestan NERFINISHED

Referenced by (1)

Full triples — surface form annotated when it differs from this entity's canonical label.

Robert Schumann: Davidsbündlertänze, Op. 6 reflects Schumann’s alter egos Florestan and Eusebius
subject surface form: Davidsbündlertänze, Op. 6