III. Rondo: Allegro non troppo
E737661
"III. Rondo: Allegro non troppo" is the lively, rondo-form final movement of Brahms’s Piano Concerto No. 1 in D minor, characterized by its energetic themes and dramatic contrasts.
All labels observed (1)
| Label | Occurrences |
|---|---|
| III. Rondo: Allegro non troppo canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T8469563 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: III. Rondo: Allegro non troppo Context triple: [Piano Concerto No. 1 in D minor, Op. 15, movement, III. Rondo: Allegro non troppo]
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A.
III. Rondo: Allegro in E-flat major
III. Rondo: Allegro in E-flat major is the exuberant, triumphant final movement of Beethoven’s Piano Concerto No. 5 in E-flat major, Op. 73, commonly known as the "Emperor" Concerto.
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B.
IV. Allegro con brio
"IV. Allegro con brio" is the vigorous, high-spirited final movement of Beethoven’s Symphony No. 7 in A major, Op. 92, renowned for its relentless rhythmic drive and exuberant energy.
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C.
III. Adagio molto e cantabile
III. Adagio molto e cantabile is the serene, lyrical slow movement of Beethoven’s Ninth Symphony, renowned for its profound expressiveness and meditative beauty.
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D.
III. Scherzo: The Waves
"III. Scherzo: The Waves" is the lively, ocean-evoking third movement of Ralph Vaughan Williams’s choral-orchestral A Sea Symphony.
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E.
Aria da capo
Aria da capo is the recurring opening and closing theme of J.S. Bach’s Goldberg Variations, framing the work with an elegant, ornamented sarabande.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: III. Rondo: Allegro non troppo Target entity description: "III. Rondo: Allegro non troppo" is the lively, rondo-form final movement of Brahms’s Piano Concerto No. 1 in D minor, characterized by its energetic themes and dramatic contrasts.
-
A.
III. Rondo: Allegro in E-flat major
III. Rondo: Allegro in E-flat major is the exuberant, triumphant final movement of Beethoven’s Piano Concerto No. 5 in E-flat major, Op. 73, commonly known as the "Emperor" Concerto.
-
B.
IV. Allegro con brio
"IV. Allegro con brio" is the vigorous, high-spirited final movement of Beethoven’s Symphony No. 7 in A major, Op. 92, renowned for its relentless rhythmic drive and exuberant energy.
-
C.
III. Adagio molto e cantabile
III. Adagio molto e cantabile is the serene, lyrical slow movement of Beethoven’s Ninth Symphony, renowned for its profound expressiveness and meditative beauty.
-
D.
III. Scherzo: The Waves
"III. Scherzo: The Waves" is the lively, ocean-evoking third movement of Ralph Vaughan Williams’s choral-orchestral A Sea Symphony.
-
E.
Aria da capo
Aria da capo is the recurring opening and closing theme of J.S. Bach’s Goldberg Variations, framing the work with an elegant, ornamented sarabande.
- F. None of above. chosen
Statements (37)
| Predicate | Object |
|---|---|
| instanceOf |
concerto movement
ⓘ
musical work ⓘ |
| associatedKeyOfWork | D minor GENERATED ⓘ |
| belongsToPeriod | Romantic era NERFINISHED ⓘ |
| characteristic |
dramatic contrasts
ⓘ
energetic themes ⓘ lively ⓘ |
| composer | Johannes Brahms NERFINISHED ⓘ |
| countryOfComposer | Germany NERFINISHED ⓘ |
| eraOfComposer | Romantic era NERFINISHED ⓘ |
| form | rondo ⓘ |
| genre | concerto movement ⓘ |
| hasAccompaniment | orchestra ⓘ |
| hasContrastBetween | solo piano and orchestra ⓘ |
| hasMusicalTexture | orchestral with solo piano ⓘ |
| hasPrincipalSoloInstrument | piano ⓘ |
| hasStructuralRole | concluding section of the concerto ⓘ |
| hasThematicMaterial |
contrasting episodes
ⓘ
recurring rondo theme ⓘ |
| hasTitleComponent |
Allegro non troppo
NERFINISHED
ⓘ
III ⓘ Rondo ⓘ |
| instrumentation | piano and orchestra ⓘ |
| key | D minor ⓘ |
| languageOfTitle | Italian ⓘ |
| movementNumber | 3 ⓘ |
| partOf | Piano Concerto No. 1 in D minor, Op. 15 NERFINISHED ⓘ |
| partOfRepertoire | Romantic piano concerto repertoire ⓘ |
| positionInWork | final movement ⓘ |
| premiereWorkPremiere | premiere of Piano Concerto No. 1 in D minor, Op. 15 ⓘ |
| sharesOpusWith | Piano Concerto No. 1 in D minor, Op. 15 NERFINISHED ⓘ |
| tempoIndication | Allegro non troppo ⓘ |
| typicalPerformanceContext |
concert hall
ⓘ
symphonic concert ⓘ |
| workForEnsemble | orchestra ⓘ |
| workForInstrument | piano ⓘ |
| workOfComposer | Johannes Brahms NERFINISHED ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: III. Rondo: Allegro non troppo Description of subject: "III. Rondo: Allegro non troppo" is the lively, rondo-form final movement of Brahms’s Piano Concerto No. 1 in D minor, characterized by its energetic themes and dramatic contrasts.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.
Johannes Brahms: Piano Concerto No. 1 in D minor, Op. 15
→
movement
→
III. Rondo: Allegro non troppo
ⓘ
subject surface form:
Piano Concerto No. 1 in D minor, Op. 15