Cornelia Parker
E720471
Cornelia Parker is a British contemporary artist renowned for her large-scale installations and sculptures that often involve the transformation or destruction of everyday objects to explore themes of perception, memory, and history.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Cornelia Parker canonical | 2 |
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf |
contemporary artist
ⓘ
human ⓘ |
| awardReceived |
OBE
NERFINISHED
ⓘ
Turner Prize nomination ⓘ |
| countryOfCitizenship | United Kingdom ⓘ |
| dateOfBirth | 1956-07-14 ⓘ |
| educatedAt |
Gloucestershire College of Art and Design
NERFINISHED
ⓘ
Reading University NERFINISHED ⓘ Wolverhampton Polytechnic NERFINISHED ⓘ |
| employer | Royal Academy of Arts NERFINISHED ⓘ |
| familyName | Parker NERFINISHED ⓘ |
| fieldOfWork |
contemporary art
ⓘ
installation art ⓘ sculpture ⓘ |
| givenName | Cornelia NERFINISHED ⓘ |
| hasWorkExhibitedAt |
Metropolitan Museum of Art
NERFINISHED
ⓘ
Serpentine Gallery NERFINISHED ⓘ Tate Britain NERFINISHED ⓘ Tate Modern NERFINISHED ⓘ Whitworth Art Gallery NERFINISHED ⓘ |
| honorificSuffix | RA ⓘ |
| memberOf | Royal Academy of Arts NERFINISHED ⓘ |
| movement |
conceptual art
ⓘ
contemporary art ⓘ |
| name | Cornelia Parker NERFINISHED ⓘ |
| nationality | British ⓘ |
| nominatedFor | Turner Prize NERFINISHED ⓘ |
| notableExhibition | Tate Britain retrospective 2022 NERFINISHED ⓘ |
| notableWork |
Avoided Object
ⓘ
Cold Dark Matter: An Exploded View NERFINISHED ⓘ Edge of England NERFINISHED ⓘ Magna Carta (An Embroidery) NERFINISHED ⓘ One Day This Glass Will Break NERFINISHED ⓘ Perpetual Canon NERFINISHED ⓘ Subconscious of a Monument NERFINISHED ⓘ The Maybe NERFINISHED ⓘ Thirty Pieces of Silver NERFINISHED ⓘ Transitional Object (PsychoBarn) NERFINISHED ⓘ War Room NERFINISHED ⓘ |
| placeOfBirth | Cheshire, England NERFINISHED ⓘ |
| positionHeld | Professor of Sculpture at the Royal Academy Schools ⓘ |
| workFocus |
destruction and reconfiguration of objects
ⓘ
themes of history ⓘ themes of memory ⓘ themes of perception ⓘ transformation of everyday objects ⓘ |
| yearOfTurnerPrizeNomination | 1997 ⓘ |
Referenced by (2)
Full triples — surface form annotated when it differs from this entity's canonical label.