Le Testament d’Orphée
E712578
Le Testament d’Orphée is a 1960 avant-garde French film, written, directed by, and starring Jean Cocteau, that serves as his surreal, self-reflective cinematic farewell.
All labels observed (2)
| Label | Occurrences |
|---|---|
| Le Testament d’Orphée canonical | 2 |
| Le Testament d’Orphée (1960 film) | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T8107224 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Le Testament d’Orphée Context triple: [Jean Cocteau, notableWork, Le Testament d’Orphée]
-
A.
Orphée et Eurydice
Orphée et Eurydice is a renowned opera by Christoph Willibald Gluck, based on the Greek myth of Orpheus and Eurydice and celebrated for its reformist, emotionally direct style.
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B.
Orpheus Leading Eurydice from the Underworld
Orpheus Leading Eurydice from the Underworld is a celebrated 19th-century painting by Jean-Baptiste-Camille Corot depicting the mythological moment when Orpheus attempts to guide his wife Eurydice out of Hades.
-
C.
The Mask of Orpheus
The Mask of Orpheus is a landmark 20th-century opera by Harrison Birtwistle, renowned for its complex structure, mythic subject matter, and innovative musical language.
-
D.
Sonnets to Orpheus
Sonnets to Orpheus is a celebrated cycle of 55 sonnets by Rainer Maria Rilke that meditates on art, death, and transformation through the mythic figure of Orpheus.
-
E.
Fields of Asphodel
Fields of Asphodel is a region of the Greek underworld where the ordinary dead wander in a shadowy, neutral afterlife, distinct from both the torments of Tartarus and the rewards of Elysium.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Le Testament d’Orphée Target entity description: Le Testament d’Orphée is a 1960 avant-garde French film, written, directed by, and starring Jean Cocteau, that serves as his surreal, self-reflective cinematic farewell.
-
A.
Orphée et Eurydice
Orphée et Eurydice is a renowned opera by Christoph Willibald Gluck, based on the Greek myth of Orpheus and Eurydice and celebrated for its reformist, emotionally direct style.
-
B.
Orpheus Leading Eurydice from the Underworld
Orpheus Leading Eurydice from the Underworld is a celebrated 19th-century painting by Jean-Baptiste-Camille Corot depicting the mythological moment when Orpheus attempts to guide his wife Eurydice out of Hades.
-
C.
The Mask of Orpheus
The Mask of Orpheus is a landmark 20th-century opera by Harrison Birtwistle, renowned for its complex structure, mythic subject matter, and innovative musical language.
-
D.
Sonnets to Orpheus
Sonnets to Orpheus is a celebrated cycle of 55 sonnets by Rainer Maria Rilke that meditates on art, death, and transformation through the mythic figure of Orpheus.
-
E.
Fields of Asphodel
Fields of Asphodel is a region of the Greek underworld where the ordinary dead wander in a shadowy, neutral afterlife, distinct from both the torments of Tartarus and the rewards of Elysium.
- F. None of above. chosen
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf |
French film
ⓘ
avant-garde film ⓘ film ⓘ |
| alsoKnownAs | Le Testament d’Orphée ou ne me demandez pas pourquoi! NERFINISHED ⓘ |
| cinematographyBy | Roland Pontoizeau NERFINISHED ⓘ |
| costumeDesignBy | Pablo Picasso NERFINISHED ⓘ |
| countryOfOrigin | France ⓘ |
| depicts | journey through time and death ⓘ |
| director | Jean Cocteau NERFINISHED ⓘ |
| distributor | Lux Compagnie Cinématographique de France NERFINISHED ⓘ |
| editedBy | Louisette Hautecoeur NERFINISHED ⓘ |
| featuresCameo |
Charles Aznavour
NERFINISHED
ⓘ
Jean Marais NERFINISHED ⓘ Pablo Picasso NERFINISHED ⓘ Yul Brynner NERFINISHED ⓘ |
| featuresCharacter | poet played by Jean Cocteau ⓘ |
| filmingLocation |
France
NERFINISHED
ⓘ
Les Baux-de-Provence NERFINISHED ⓘ |
| follows | Orphée NERFINISHED ⓘ |
| genre |
avant-garde
ⓘ
fantasy film ⓘ surrealist film ⓘ |
| hasSurrealElements | true ⓘ |
| hasTagline | ou ne me demandez pas pourquoi! NERFINISHED ⓘ |
| hasTheme |
art and mortality
ⓘ
myth of Orpheus NERFINISHED ⓘ self-reflexive cinema ⓘ |
| isAutobiographical | true ⓘ |
| isBlackAndWhite | true ⓘ |
| isDirectorFinalFilm | true ⓘ |
| movement | French avant-garde cinema NERFINISHED ⓘ |
| musicBy | Georges Auric NERFINISHED ⓘ |
| originalLanguage | French ⓘ |
| originalTitle | Le Testament d’Orphée NERFINISHED ⓘ |
| partOf | Jean Cocteau’s Orphic Trilogy NERFINISHED ⓘ |
| partOfSeries | Orphic Trilogy NERFINISHED ⓘ |
| precededInSeriesBy | Orphée NERFINISHED ⓘ |
| precedes | none ⓘ |
| producedBy |
André Paulvé
NERFINISHED
ⓘ
Jean Cocteau NERFINISHED ⓘ |
| releaseYear | 1960 ⓘ |
| runtimeMinutes | 80 ⓘ |
| screenwriter | Jean Cocteau NERFINISHED ⓘ |
| starring | Jean Cocteau NERFINISHED ⓘ |
| subjectOf | critical studies on Jean Cocteau’s cinema ⓘ |
| titleInEnglish | The Testament of Orpheus NERFINISHED ⓘ |
| writer | Jean Cocteau NERFINISHED ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Le Testament d’Orphée Description of subject: Le Testament d’Orphée is a 1960 avant-garde French film, written, directed by, and starring Jean Cocteau, that serves as his surreal, self-reflective cinematic farewell.
Referenced by (3)
Full triples — surface form annotated when it differs from this entity's canonical label.