Kundiman
E710480
Kundiman is a traditional Filipino genre of love songs known for its expressive, melancholic melodies and poetic lyrics, often associated with serenades and nationalist sentiment.
Statements (52)
| Predicate | Object |
|---|---|
| instanceOf |
Filipino music genre
ⓘ
traditional song form ⓘ |
| associatedWith |
Philippine art music
ⓘ
Philippine folk music ⓘ harana ⓘ serenades ⓘ |
| countryOfOrigin | Philippines NERFINISHED ⓘ |
| culturalSignificance |
important part of Filipino musical heritage
ⓘ
symbol of Filipino romantic expression ⓘ vehicle for nationalist sentiment ⓘ |
| developedInPeriod | Spanish colonial period in the Philippines ⓘ |
| hasCharacteristic |
expressive melodies
ⓘ
lyrical vocal style ⓘ melancholic melodies ⓘ poetic lyrics ⓘ serenade tradition ⓘ slow tempo ⓘ |
| hasGenreType | love song ⓘ |
| hasTheme |
Filipino nationalism
NERFINISHED
ⓘ
longing ⓘ patriotism ⓘ romantic love ⓘ sacrifice ⓘ unrequited love ⓘ |
| influenced | contemporary Filipino ballads ⓘ |
| influencedBy | Spanish and European art song traditions ⓘ |
| language |
Tagalog
NERFINISHED
ⓘ
other Philippine languages ⓘ |
| musicalFeature |
lyrical melody in the upper vocal register
ⓘ
moderate to slow triple meter ⓘ rich harmonic progressions ⓘ use of rubato ⓘ |
| musicalForm |
ABA form
ⓘ
strophic form ⓘ |
| notableComposer |
Constancio de Guzman
NERFINISHED
ⓘ
Francisco Santiago NERFINISHED ⓘ Nicanor Abelardo NERFINISHED ⓘ Ruben Tagalog NERFINISHED ⓘ |
| notableWork |
“Anak Dalita”
NERFINISHED
ⓘ
“Bituing Marikit” NERFINISHED ⓘ “Mutya ng Pasig” NERFINISHED ⓘ “Nasaan Ka Irog” NERFINISHED ⓘ “Pakiusap” NERFINISHED ⓘ |
| performanceContext |
concert halls
ⓘ
radio broadcasts ⓘ recordings ⓘ serenades outside windows ⓘ |
| relatedGenre |
Philippine folk ballad
ⓘ
harana ⓘ |
| typicalAccompaniment |
guitar
ⓘ
orchestra ⓘ piano ⓘ |
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.