Picasso's Proto-Cubist Period

E706837

Picasso's Proto-Cubist Period marks his experimental transition toward the fragmented forms and multiple perspectives that would culminate in the development of Cubism.

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Statements (48)

Predicate Object
instanceOf artistic period
phase in Pablo Picasso's career
artHistoricalTermUsedBy art historians
associatedArtMovement Primitivism in modern art
early Cubism
associatedPlace Barcelona NERFINISHED
Horta de Ebro NERFINISHED
Paris NERFINISHED
characterizedBy experimentation with fragmented forms
experiments with spatial ambiguity
geometric stylization of figures
multiple viewpoints in a single image
reduction of naturalistic detail
simplification of forms
follows Picasso's Rose Period NERFINISHED
hasColorCharacteristic earthy tones
muted palette
occasional strong contrasts
hasEndTime circa 1909
hasStartTime circa 1906
hasTheme female nude
group figure compositions
mythological or allegorical figures
hasWork Dryad (1908) NERFINISHED
Femme nue (1907 studies) NERFINISHED
Friendship (1908) NERFINISHED
Les Demoiselles d'Avignon NERFINISHED
Nude with Raised Arms (1907) NERFINISHED
The Reservoir, Horta de Ebro (1909) NERFINISHED
Three Women (1907–1908) NERFINISHED
historicalSignificance break with traditional Renaissance perspective
key step in the development of 20th-century abstract art
transition phase leading to full Cubism
influencedBy African art
African masks
Cézanne's treatment of form and volume
Iberian sculpture
Paul Cézanne's late work
mainSubject Pablo Picasso NERFINISHED
movementTowards Cubism NERFINISHED
notableEvent creation of Les Demoiselles d'Avignon in 1907
overlapsWith Picasso's African-influenced period
precedes Picasso's Analytic Cubism period NERFINISHED
usesTechnique angular contour lines
distortion of anatomical proportions
faceting of forms
flattening of pictorial space
mask-like faces

Referenced by (1)

Full triples — surface form annotated when it differs from this entity's canonical label.

Picasso's Rose Period precedes Picasso's Proto-Cubist Period