Frédéric Chopin’s Prelude in C minor, Op. 28, No. 20
E699241
Frédéric Chopin’s Prelude in C minor, Op. 28, No. 20 is a brief yet powerful Romantic piano piece renowned for its dramatic chordal writing and enduring influence on later popular music.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Frédéric Chopin’s Prelude in C minor, Op. 28, No. 20 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T7830715 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Frédéric Chopin’s Prelude in C minor, Op. 28, No. 20 Context triple: [Could It Be Magic, basedOn, Frédéric Chopin’s Prelude in C minor, Op. 28, No. 20]
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A.
Prelude in C-sharp minor, Op. 3 No. 2
Prelude in C-sharp minor, Op. 3 No. 2 is a famous and dramatic solo piano piece by Sergei Rachmaninoff, renowned for its dark, tolling opening chords and powerful emotional intensity.
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B.
Prelude in C minor, BWV 847
Prelude in C minor, BWV 847 is a fast, motoric keyboard prelude by Johann Sebastian Bach, renowned for its driving sixteenth-note patterns and often paired with its accompanying fugue in The Well-Tempered Clavier.
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C.
Prelude in F minor, BWV 857
Prelude in F minor, BWV 857 is a keyboard prelude by Johann Sebastian Bach, notable for its expressive, contrapuntal writing and its place in the first book of The Well-Tempered Clavier.
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D.
Prelude in D minor, BWV 851
Prelude in D minor, BWV 851 is a keyboard prelude by Johann Sebastian Bach, notable for its inclusion in the first book of his influential collection The Well-Tempered Clavier.
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E.
Prelude in C-sharp major, BWV 848
Prelude in C-sharp major, BWV 848 is a keyboard prelude by Johann Sebastian Bach, notable for its flowing broken-chord texture and its role in exploring well-tempered tuning.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Frédéric Chopin’s Prelude in C minor, Op. 28, No. 20 Target entity description: Frédéric Chopin’s Prelude in C minor, Op. 28, No. 20 is a brief yet powerful Romantic piano piece renowned for its dramatic chordal writing and enduring influence on later popular music.
-
A.
Prelude in C-sharp minor, Op. 3 No. 2
Prelude in C-sharp minor, Op. 3 No. 2 is a famous and dramatic solo piano piece by Sergei Rachmaninoff, renowned for its dark, tolling opening chords and powerful emotional intensity.
-
B.
Prelude in C minor, BWV 847
Prelude in C minor, BWV 847 is a fast, motoric keyboard prelude by Johann Sebastian Bach, renowned for its driving sixteenth-note patterns and often paired with its accompanying fugue in The Well-Tempered Clavier.
-
C.
Prelude in F minor, BWV 857
Prelude in F minor, BWV 857 is a keyboard prelude by Johann Sebastian Bach, notable for its expressive, contrapuntal writing and its place in the first book of The Well-Tempered Clavier.
-
D.
Prelude in D minor, BWV 851
Prelude in D minor, BWV 851 is a keyboard prelude by Johann Sebastian Bach, notable for its inclusion in the first book of his influential collection The Well-Tempered Clavier.
-
E.
Prelude in C-sharp major, BWV 848
Prelude in C-sharp major, BWV 848 is a keyboard prelude by Johann Sebastian Bach, notable for its flowing broken-chord texture and its role in exploring well-tempered tuning.
- F. None of above. chosen
Statements (50)
| Predicate | Object |
|---|---|
| instanceOf |
Romantic-era composition
ⓘ
piano prelude ⓘ solo piano composition ⓘ |
| approximateDuration | about 1 minute ⓘ |
| associatedWith | somber, funeral-like atmosphere ⓘ |
| catalogueNumber | Op. 28 No. 20 ⓘ |
| character |
dramatic
ⓘ
solemn ⓘ |
| composer | Frédéric Chopin NERFINISHED ⓘ |
| compositionEndYear | 1839 ⓘ |
| compositionStartYear | 1835 ⓘ |
| countryOfOrigin | Poland ⓘ |
| cycleContainsAllMajorAndMinorKeys | true ⓘ |
| difficultyLevel | intermediate to advanced ⓘ |
| firstPublicationYear | 1839 ⓘ |
| form | short ternary-like form ⓘ |
| genre |
classical music
ⓘ
prelude ⓘ |
| influenced |
film music
ⓘ
jazz adaptations ⓘ popular music arrangements ⓘ |
| instrumentation | solo piano ⓘ |
| ISWCCode | T-801.104.623-3 ⓘ |
| key | C minor ⓘ |
| languageOfTitle | French ⓘ |
| notableFeature |
dramatic dynamic contrasts
ⓘ
powerful block chords ⓘ simple, hymn-like progression ⓘ |
| numberInSet | 20 ⓘ |
| oftenPerformedIn |
recitals
ⓘ
recordings of complete Op. 28 set ⓘ |
| opusNumber | Op. 28 ⓘ |
| partOf | 24 Preludes, Op. 28 NERFINISHED ⓘ |
| pedagogicalUse |
study of Romantic harmony
ⓘ
study of expressive rubato ⓘ study of voicing in chords ⓘ |
| period | Romantic period NERFINISHED ⓘ |
| placeOfComposition |
Paris
NERFINISHED
ⓘ
Valldemossa, Majorca NERFINISHED ⓘ |
| publisher | Breitkopf & Härtel NERFINISHED ⓘ |
| setFollowedBy | Prelude in B-flat major, Op. 28, No. 21 NERFINISHED ⓘ |
| setPrecededBy |
Prelude in E-flat major, Op. 28, No. 19
NERFINISHED
ⓘ
Prelude in F minor, Op. 28, No. 18 NERFINISHED ⓘ |
| tempoMarking | Largo ⓘ |
| texture | chordal ⓘ |
| timeSignature | 4/4 ⓘ |
| tonalCenter | C minor ⓘ |
| usedAsBasisFor |
Barry Manilow’s song “Could It Be Magic”
NERFINISHED
ⓘ
Sarah Brightman’s “A Question of Honour” prelude section NERFINISHED ⓘ numerous popular music covers ⓘ |
How these facts were elicited
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You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Frédéric Chopin’s Prelude in C minor, Op. 28, No. 20 Description of subject: Frédéric Chopin’s Prelude in C minor, Op. 28, No. 20 is a brief yet powerful Romantic piano piece renowned for its dramatic chordal writing and enduring influence on later popular music.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.