Vernon L. Walker
E69465
Vernon L. Walker was an American cinematographer and visual effects artist best known for his pioneering work on early Hollywood fantasy and adventure films, including the original 1933 King Kong.
Statements (43)
| Predicate | Object |
|---|---|
| instanceOf |
cinematographer
ⓘ
human ⓘ special effects supervisor ⓘ visual effects artist ⓘ |
| activeIn | Hollywood ⓘ |
| countryOfActivity | United States of America ⓘ |
| countryOfCitizenship | United States of America ⓘ |
| employer | RKO Radio Pictures ⓘ |
| era |
Hollywood Golden Age
ⓘ
surface form:
Golden Age of Hollywood
|
| fieldOfWork |
cinematography
ⓘ
special effects ⓘ visual effects ⓘ |
| genreSpecialization |
adventure film
ⓘ
fantasy film ⓘ science fiction film ⓘ |
| givenName | Vernon ⓘ |
| hasGender | male ⓘ |
| industry | film industry ⓘ |
| influenced | later visual effects artists in Hollywood ⓘ |
| languageOfWorkOrName | English ⓘ |
| name | Vernon L. Walker NERFINISHED ⓘ |
| notableFor |
contributions to special photographic effects
ⓘ
innovative use of special effects in fantasy and adventure films ⓘ pioneering visual effects in early Hollywood cinema ⓘ special effects work on King Kong (1933 film) ⓘ |
| notableWork |
film King Kong (1933)
ⓘ
surface form:
King Kong (1933 film)
|
| occupation |
cinematographer
ⓘ
special effects supervisor ⓘ visual effects artist ⓘ |
| specialization |
composite photography
ⓘ
miniature effects ⓘ optical effects ⓘ |
| workedInMedium |
35 mm film
ⓘ
black-and-white film ⓘ |
| workedOn |
Bringing Up Baby
ⓘ
surface form:
Bringing Up Baby (1938 film)
Citizen Kane ⓘ film King Kong (1933) ⓘ
surface form:
King Kong (1933 film)
The Devil and Daniel Webster ⓘ
surface form:
The Devil and Daniel Webster (1941 film)
The Hunchback of Notre Dame (1923 film) ⓘ The Hunchback of Notre Dame (1939 film score) ⓘ
surface form:
The Hunchback of Notre Dame (1939 film)
The Magnificent Ambersons ⓘ
surface form:
The Magnificent Ambersons (film)
The Most Dangerous Game ⓘ
surface form:
The Most Dangerous Game (1932 film)
Who Goes There? ⓘ
surface form:
The Thing from Another World
|
Referenced by (2)
Full triples — surface form annotated when it differs from this entity's canonical label.
subject surface form:
King Kong (1933 film)