Shang Xiaoyun
E689580
Shang Xiaoyun was a renowned 20th-century Peking opera artist celebrated as one of the "Four Great Dan" for his influential performances in female roles and contributions to the art form’s modernization.
Statements (45)
| Predicate | Object |
|---|---|
| instanceOf |
20th-century Chinese artist
ⓘ
Chinese opera performer ⓘ Peking opera artist ⓘ male Dan-role performer ⓘ |
| artForm | Peking opera NERFINISHED ⓘ |
| artisticContribution | enriched Peking opera repertoire through new interpretations of classic plays ⓘ |
| associatedWith | Beijing theatre circles NERFINISHED ⓘ |
| contributedTo |
modernization of Peking opera
ⓘ
reform of Peking opera performance style ⓘ |
| countryOfActivity | China NERFINISHED ⓘ |
| culturalDomain | Chinese traditional theatre ⓘ |
| culturalSignificance | representative figure of 20th-century Peking opera ⓘ |
| era |
20th century
ⓘ
Republic of China period ⓘ |
| fieldOfWork |
performing arts
ⓘ
traditional Chinese opera ⓘ |
| gender | male ⓘ |
| genre | Jingju NERFINISHED ⓘ |
| influenced | development of Dan-role performance in Peking opera ⓘ |
| influencedBy | earlier Peking opera Dan-role traditions ⓘ |
| knownFor |
innovative stage presentation
ⓘ
refined and dignified performance style ⓘ strong vocal technique ⓘ training younger Peking opera performers ⓘ |
| languageOfPerformance | Mandarin ⓘ |
| legacy |
helped shape modern Peking opera aesthetics
ⓘ
inspired later generations of Peking opera artists ⓘ |
| memberOf | Four Great Dan NERFINISHED ⓘ |
| name | Shang Xiaoyun NERFINISHED ⓘ |
| nationality | Chinese ⓘ |
| notableFor |
Dan roles
ⓘ
being one of the Four Great Dan of Peking opera ⓘ |
| notableTitle | master of Dan roles in Peking opera ⓘ |
| occupation |
Peking opera performer
ⓘ
actor ⓘ educator ⓘ |
| peerWith |
Cheng Yanqiu
NERFINISHED
ⓘ
Mei Lanfang NERFINISHED ⓘ Xun Huisheng NERFINISHED ⓘ |
| performanceSpecialty |
emotional and lyrical Dan roles
ⓘ
noble and dignified female characters ⓘ |
| roleType | female roles ⓘ |
| style |
clear articulation and expressive singing
ⓘ
emphasis on grace and restraint in movement ⓘ |
| teachingActivity | founded or led Peking opera training institutions ⓘ |
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.