Missa L’homme armé
E675896
Missa L’homme armé is a Renaissance mass setting based on the popular “L’homme armé” tune, composed by Cristóbal de Morales and noted for its intricate polyphony and expressive sacred style.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Missa L’homme armé canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T7602189 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Missa L’homme armé Context triple: [Cristóbal de Morales, notableWork, Missa L’homme armé]
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A.
Missa cantata
Missa cantata is a form of the traditional Latin Mass that is sung with chant and music but celebrated without the full ceremonial of a Solemn High Mass.
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B.
Ver Sacrum
Ver Sacrum was the official avant-garde art and literary magazine of the Vienna Secession, showcasing the movement’s innovative graphic design and modernist aesthetics.
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C.
Missa Pro Victoria
Missa Pro Victoria is a Renaissance polyphonic mass setting, often attributed to Tomás Luis de Victoria, that is based on and pays homage to Janequin’s famous battle chanson "La Guerre."
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D.
Missa Ultimi miei sospiri
Missa Ultimi miei sospiri is a Renaissance polyphonic mass by composer Philippe de Monte, reflecting his sophisticated vocal writing and expressive sacred style.
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E.
Missa O magnum mysterium
Missa O magnum mysterium is a Renaissance polyphonic Mass setting by Spanish composer Tomás Luis de Victoria, renowned for its rich, expressive treatment of the Christmas responsory "O magnum mysterium."
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Missa L’homme armé Target entity description: Missa L’homme armé is a Renaissance mass setting based on the popular “L’homme armé” tune, composed by Cristóbal de Morales and noted for its intricate polyphony and expressive sacred style.
-
A.
Missa cantata
Missa cantata is a form of the traditional Latin Mass that is sung with chant and music but celebrated without the full ceremonial of a Solemn High Mass.
-
B.
Ver Sacrum
Ver Sacrum was the official avant-garde art and literary magazine of the Vienna Secession, showcasing the movement’s innovative graphic design and modernist aesthetics.
-
C.
Missa Pro Victoria
Missa Pro Victoria is a Renaissance polyphonic mass setting, often attributed to Tomás Luis de Victoria, that is based on and pays homage to Janequin’s famous battle chanson "La Guerre."
-
D.
Missa Ultimi miei sospiri
Missa Ultimi miei sospiri is a Renaissance polyphonic mass by composer Philippe de Monte, reflecting his sophisticated vocal writing and expressive sacred style.
-
E.
Missa O magnum mysterium
Missa O magnum mysterium is a Renaissance polyphonic Mass setting by Spanish composer Tomás Luis de Victoria, renowned for its rich, expressive treatment of the Christmas responsory "O magnum mysterium."
- F. None of above. chosen
Statements (37)
| Predicate | Object |
|---|---|
| instanceOf |
Renaissance mass
ⓘ
cyclic mass ⓘ sacred vocal composition ⓘ |
| approximateDate | first half of the 16th century ⓘ |
| basedOn | L’homme armé (tune) NERFINISHED ⓘ |
| cataloguedAs | Mass on L’homme armé by Cristóbal de Morales NERFINISHED ⓘ |
| composer | Cristóbal de Morales NERFINISHED ⓘ |
| countryOfOrigin | Spain ⓘ |
| genre | Mass (Ordinary of the Mass) ⓘ |
| hasForm | through-composed movements ⓘ |
| hasKeyFeature |
integration of popular tune into sacred context
ⓘ
melodic borrowing from the secular tune L’homme armé ⓘ |
| hasMode | modal Renaissance tonality ⓘ |
| hasTexture | polyphonic ⓘ |
| influencedBy | Franco-Flemish polyphonic style ⓘ |
| intendedUse |
church service
ⓘ
liturgical performance ⓘ |
| language | Latin ⓘ |
| movement |
Agnus Dei
NERFINISHED
ⓘ
Credo NERFINISHED ⓘ Gloria NERFINISHED ⓘ Kyrie ⓘ Sanctus ⓘ |
| notedFor |
expressive sacred style
ⓘ
intricate polyphony ⓘ |
| partOfTradition | L’homme armé mass tradition NERFINISHED ⓘ |
| period | Renaissance ⓘ |
| relatedWorkByComposer | other Mass settings by Cristóbal de Morales ⓘ |
| religiousTradition | Roman Catholic ⓘ |
| style |
Renaissance polyphony
ⓘ
sacred music ⓘ |
| textType | liturgical text of the Mass Ordinary ⓘ |
| usesCantusFirmus | L’homme armé (tune) ⓘ |
| usesTechnique |
cantus firmus technique
ⓘ
imitative counterpoint ⓘ |
| vocalForces |
a cappella voices
ⓘ
choir ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Missa L’homme armé Description of subject: Missa L’homme armé is a Renaissance mass setting based on the popular “L’homme armé” tune, composed by Cristóbal de Morales and noted for its intricate polyphony and expressive sacred style.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.