Officium Defunctorum
E670762
Officium Defunctorum is a renowned late-16th-century Requiem mass and funeral office by Spanish Renaissance composer Tomás Luis de Victoria, celebrated for its profound spirituality and rich polyphonic writing.
All labels observed (2)
| Label | Occurrences |
|---|---|
| Officium Defunctorum canonical | 1 |
| Officium Defunctorum (Requiem mass) | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T7514644 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Officium Defunctorum Context triple: [Tomás Luis de Victoria, notableWork, Officium Defunctorum]
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A.
Introitus: Requiem aeternam
"Introitus: Requiem aeternam" is the solemn opening movement of Mozart’s Requiem in D minor, introducing the work with a darkly lyrical plea for eternal rest.
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B.
Lacrimosa
Lacrimosa is the poignant, mournful section of Mozart's Requiem best known for its expressive choral writing and emotional intensity.
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C.
Roman Catholic Mass for the Dead
The Roman Catholic Mass for the Dead, or Requiem Mass, is a liturgical service of the Catholic Church offered for the repose of the souls of the deceased, featuring specific prayers, chants, and readings focused on death, judgment, and eternal rest.
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D.
Agnus Dei
Agnus Dei is a traditional Christian liturgical chant and devotional motif that invokes Jesus Christ as the sacrificial Lamb of God who takes away the sins of the world.
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E.
Sanctus
Sanctus is a central Christian liturgical hymn of praise, traditionally sung during the Eucharistic prayer in many church rites.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Officium Defunctorum Target entity description: Officium Defunctorum is a renowned late-16th-century Requiem mass and funeral office by Spanish Renaissance composer Tomás Luis de Victoria, celebrated for its profound spirituality and rich polyphonic writing.
-
A.
Introitus: Requiem aeternam
"Introitus: Requiem aeternam" is the solemn opening movement of Mozart’s Requiem in D minor, introducing the work with a darkly lyrical plea for eternal rest.
-
B.
Lacrimosa
Lacrimosa is the poignant, mournful section of Mozart's Requiem best known for its expressive choral writing and emotional intensity.
-
C.
Roman Catholic Mass for the Dead
The Roman Catholic Mass for the Dead, or Requiem Mass, is a liturgical service of the Catholic Church offered for the repose of the souls of the deceased, featuring specific prayers, chants, and readings focused on death, judgment, and eternal rest.
-
D.
Agnus Dei
Agnus Dei is a traditional Christian liturgical chant and devotional motif that invokes Jesus Christ as the sacrificial Lamb of God who takes away the sins of the world.
-
E.
Sanctus
Sanctus is a central Christian liturgical hymn of praise, traditionally sung during the Eucharistic prayer in many church rites.
- F. None of above. chosen
Statements (48)
| Predicate | Object |
|---|---|
| instanceOf |
Requiem mass
ⓘ
funeral office ⓘ musical composition ⓘ |
| alsoKnownAs | Requiem of 1603 NERFINISHED ⓘ |
| associatedCity | Madrid NERFINISHED ⓘ |
| associatedComposer | Tomás Luis de Victoria NERFINISHED ⓘ |
| associatedReligiousOrder | Hieronymite nuns of Descalzas Reales NERFINISHED ⓘ |
| composer | Tomás Luis de Victoria NERFINISHED ⓘ |
| countryOfOrigin | Spain ⓘ |
| dateOfComposition | 1603 ⓘ |
| dedicatedTo | Empress Maria of Austria NERFINISHED ⓘ |
| firstPublicationPlace | Madrid NERFINISHED ⓘ |
| firstPublicationYear | 1605 ⓘ |
| genre |
Renaissance polyphony
ⓘ
sacred music ⓘ |
| historicalSignificance |
considered Victoria’s musical testament
ⓘ
one of the most important Requiems of the Renaissance ⓘ |
| language | Latin ⓘ |
| liturgicalFunction |
Mass for the Dead
ⓘ
Office of the Dead NERFINISHED ⓘ |
| liturgicalTextSource |
Office of the Dead
NERFINISHED
ⓘ
Roman Catholic Requiem Mass NERFINISHED ⓘ |
| musicalEra | Renaissance ⓘ |
| notableMovement |
Libera me, Domine
NERFINISHED
ⓘ
Taedet animam meam ⓘ Versa est in luctum ⓘ |
| numberOfVoices | 6 ⓘ |
| occasion | funeral of Empress Maria of Austria ⓘ |
| performancePractice |
concert performance
ⓘ
liturgical performance ⓘ |
| period | late 16th century ⓘ |
| placeOfFirstPerformance | Descalzas Reales convent, Madrid NERFINISHED ⓘ |
| publisher | Imprenta Real, Madrid NERFINISHED ⓘ |
| reception |
admired for rich polyphonic writing
ⓘ
celebrated for profound spirituality ⓘ |
| religiousTradition | Roman Catholicism ⓘ |
| scoring | voices a cappella ⓘ |
| structureIncludes |
Lesson
ⓘ
Motet ⓘ Requiem Mass NERFINISHED ⓘ Responsories of the Office of the Dead NERFINISHED ⓘ |
| styleCharacteristic |
expressive text setting
ⓘ
imitation ⓘ modal harmony ⓘ |
| subjectMatter | prayers for the dead ⓘ |
| texture | polyphonic ⓘ |
| titleLanguage | Latin ⓘ |
| titleTranslation | Office of the Dead NERFINISHED ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Officium Defunctorum Description of subject: Officium Defunctorum is a renowned late-16th-century Requiem mass and funeral office by Spanish Renaissance composer Tomás Luis de Victoria, celebrated for its profound spirituality and rich polyphonic writing.
Referenced by (2)
Full triples — surface form annotated when it differs from this entity's canonical label.