Tom-Tom: An Epic of Music and the Negro
E647255
"Tom-Tom: An Epic of Music and the Negro" is a 1932 opera by Shirley Graham Du Bois that dramatizes African and African American history and culture through a fusion of classical, spiritual, jazz, and African musical forms.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Tom-Tom: An Epic of Music and the Negro canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T7181236 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Tom-Tom: An Epic of Music and the Negro Context triple: [Shirley Graham Du Bois, notableWork, Tom-Tom: An Epic of Music and the Negro]
-
A.
Five Great American Negroes
Five Great American Negroes is a celebrated artwork by Charles White that honors prominent African American historical figures and their contributions to U.S. history.
-
B.
Harlem: A Melodrama of Negro Life
"Harlem: A Melodrama of Negro Life" is a 1929 play co-written by Wallace Thurman that dramatizes the struggles, aspirations, and social tensions of African American life in Harlem during the Harlem Renaissance.
-
C.
Blues People
Blues People is a seminal 1963 work of cultural criticism by Amiri Baraka that traces the history of African American music as a lens on Black experience and U.S. social history.
-
D.
Of the Sorrow Songs
"Of the Sorrow Songs" is the concluding chapter of W.E.B. Du Bois's seminal work that reflects on the spirituals of enslaved African Americans as profound expressions of their history, suffering, and hope.
-
E.
The Weary Blues
The Weary Blues is a landmark 1926 poetry collection by Langston Hughes that helped define the voice and themes of the Harlem Renaissance.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Tom-Tom: An Epic of Music and the Negro Target entity description: "Tom-Tom: An Epic of Music and the Negro" is a 1932 opera by Shirley Graham Du Bois that dramatizes African and African American history and culture through a fusion of classical, spiritual, jazz, and African musical forms.
-
A.
Five Great American Negroes
Five Great American Negroes is a celebrated artwork by Charles White that honors prominent African American historical figures and their contributions to U.S. history.
-
B.
Harlem: A Melodrama of Negro Life
"Harlem: A Melodrama of Negro Life" is a 1929 play co-written by Wallace Thurman that dramatizes the struggles, aspirations, and social tensions of African American life in Harlem during the Harlem Renaissance.
-
C.
Blues People
Blues People is a seminal 1963 work of cultural criticism by Amiri Baraka that traces the history of African American music as a lens on Black experience and U.S. social history.
-
D.
Of the Sorrow Songs
"Of the Sorrow Songs" is the concluding chapter of W.E.B. Du Bois's seminal work that reflects on the spirituals of enslaved African Americans as profound expressions of their history, suffering, and hope.
-
E.
The Weary Blues
The Weary Blues is a landmark 1926 poetry collection by Langston Hughes that helped define the voice and themes of the Harlem Renaissance.
- F. None of above. chosen
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf |
musical work
ⓘ
opera ⓘ |
| authorOfLibretto | Shirley Graham Du Bois NERFINISHED ⓘ |
| composer | Shirley Graham Du Bois NERFINISHED ⓘ |
| countryOfOrigin |
United States of America
ⓘ
surface form:
United States
|
| creator | Shirley Graham Du Bois NERFINISHED ⓘ |
| firstPerformanceYear | 1932 ⓘ |
| form | three-act opera ⓘ |
| genre |
African American opera
ⓘ
African music ⓘ classical music ⓘ jazz ⓘ opera ⓘ spirituals ⓘ |
| hasEthnicFocus |
African Americans
NERFINISHED
ⓘ
Africans ⓘ |
| historicalPeriodDepicted |
Atlantic slave trade
ⓘ
post-Emancipation United States ⓘ pre-slavery Africa ⓘ slavery era in the United States ⓘ |
| incorporatesMusicalStyle |
African drumming
ⓘ
European classical harmony ⓘ Negro spirituals ⓘ jazz idioms ⓘ |
| language | English ⓘ |
| librettist | Shirley Graham Du Bois NERFINISHED ⓘ |
| medium | voice and orchestra ⓘ |
| notableFor |
early large-scale opera by an African American woman
ⓘ
fusion of classical, spiritual, jazz, and African musical forms ⓘ |
| premiereCity | Cleveland NERFINISHED ⓘ |
| premiereCountry | United States NERFINISHED ⓘ |
| premiereDate | 1932 ⓘ |
| premiereLocation | Cleveland, Ohio NERFINISHED ⓘ |
| premiereVenue | Cleveland Stadium NERFINISHED ⓘ |
| setting |
Africa
NERFINISHED
ⓘ
United States of America ⓘ
surface form:
United States
|
| structure | prologue and three episodes ⓘ |
| subject |
African American culture
ⓘ
African American history ⓘ African history ⓘ slavery in the United States ⓘ the African diaspora NERFINISHED ⓘ |
| theme |
African heritage
ⓘ
racial oppression ⓘ resilience of African American people ⓘ struggle for freedom ⓘ |
| title | Tom-Tom: An Epic of Music and the Negro NERFINISHED ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Tom-Tom: An Epic of Music and the Negro Description of subject: "Tom-Tom: An Epic of Music and the Negro" is a 1932 opera by Shirley Graham Du Bois that dramatizes African and African American history and culture through a fusion of classical, spiritual, jazz, and African musical forms.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.