Brecht–Weill collaborations

E621919

The Brecht–Weill collaborations are a series of influential early 20th-century musical and theatrical works created by playwright Bertolt Brecht and composer Kurt Weill, known for their sharp social critique and innovative fusion of drama and music.

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Statements (51)

Predicate Object
instanceOf artistic collaboration
musical theatre cycle
theatrical work series
countryOfOrigin Germany
creativeApproach alienation effect
fusion of drama and music
use of song as commentary
creativeDirection anti-bourgeois
satire of capitalism
social critique
endTime early 1930s
genre epic theatre
musical theatre
opera
political theatre
hasPart Happy End NERFINISHED
Mahagonny-Songspiel NERFINISHED
Rise and Fall of the City of Mahagonny NERFINISHED
The Lindbergh Flight NERFINISHED
The Seven Deadly Sins NERFINISHED
The Threepenny Opera NERFINISHED
The Yes-Sayer NERFINISHED
historicalPeriod Weimar Republic NERFINISHED
influenced 20th-century musical theatre
contemporary opera
political cabaret
influencedBy German cabaret
Marxism
jazz
popular song
language German
location Berlin NERFINISHED
mainParticipants Bertolt Brecht NERFINISHED
Kurt Weill NERFINISHED
movement Weimar culture NERFINISHED
avant-garde
modernism
notableWork Aufstieg und Fall der Stadt Mahagonny NERFINISHED
Der Jasager NERFINISHED
Der Lindberghflug NERFINISHED
Die Dreigroschenoper NERFINISHED
Die sieben Todsünden NERFINISHED
Happy End NERFINISHED
Mahagonny-Songspiel NERFINISHED
Rise and Fall of the City of Mahagonny NERFINISHED
The Lindbergh Flight NERFINISHED
The Seven Deadly Sins NERFINISHED
The Threepenny Opera NERFINISHED
The Yes-Sayer NERFINISHED
significantEvent premiere of The Threepenny Opera in 1928 at Theater am Schiffbauerdamm, Berlin
startTime late 1920s

Referenced by (1)

Full triples — surface form annotated when it differs from this entity's canonical label.

Rise and Fall of the City of Mahagonny associatedWith Brecht–Weill collaborations