Maihar gharana
E619054
Maihar gharana is a prominent school of Hindustani classical music, especially known for its instrumental tradition shaped by Allauddin Khan and his disciples such as Ravi Shankar and Ali Akbar Khan.
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf |
Hindustani classical music gharana
ⓘ
musical tradition ⓘ |
| associatedWith |
Aashish Khan
NERFINISHED
ⓘ
Ali Akbar Khan NERFINISHED ⓘ Allauddin Khan NERFINISHED ⓘ Annapurna Devi NERFINISHED ⓘ Bahadur Khan NERFINISHED ⓘ Nikhil Banerjee NERFINISHED ⓘ Pannalal Ghosh NERFINISHED ⓘ Ravi Shankar NERFINISHED ⓘ Sharan Rani NERFINISHED ⓘ |
| basedIn | Maihar NERFINISHED ⓘ |
| country | India ⓘ |
| developedIn | 20th century ⓘ |
| emphasis |
balanced improvisation and composition
ⓘ
clarity of raga structure ⓘ rigorous training ⓘ |
| foundedBy | Allauddin Khan NERFINISHED ⓘ |
| genre | Hindustani classical music ⓘ |
| hasDiscipleLineage |
Aashish Khan
NERFINISHED
ⓘ
Annapurna Devi NERFINISHED ⓘ |
| hasDiscipleLineage |
Ali Akbar Khan
NERFINISHED
ⓘ
Nikhil Banerjee NERFINISHED ⓘ Ravi Shankar NERFINISHED ⓘ |
| influencedBy |
dhrupad tradition
ⓘ
various regional folk musics ⓘ |
| knownFor |
bansuri performance
ⓘ
dhrupad-influenced style ⓘ elaborate alap development ⓘ instrumental music tradition ⓘ orchestral experiments ⓘ sarod performance ⓘ sitar performance ⓘ systematic raga exposition ⓘ |
| namedAfter | Maihar NERFINISHED ⓘ |
| notableStudent |
Ali Akbar Khan
NERFINISHED
ⓘ
Annapurna Devi NERFINISHED ⓘ Nikhil Banerjee NERFINISHED ⓘ Pannalal Ghosh NERFINISHED ⓘ Ravi Shankar NERFINISHED ⓘ |
| notableTeacher | Allauddin Khan NERFINISHED ⓘ |
| pedagogy | guru–shishya parampara ⓘ |
| performancePractice |
integration of compositional bandishes with improvisation
ⓘ
use of both vilambit and drut tempos ⓘ use of complex layakari (rhythmic play) ⓘ |
| state | Madhya Pradesh ⓘ |
| traditionType | instrumental-focused gharana ⓘ |
Referenced by (2)
Full triples — surface form annotated when it differs from this entity's canonical label.