ARRI RAW
E618935
ARRI RAW is a high-quality, uncompressed digital cinema camera format developed by ARRI that preserves maximum image data for professional film and video production workflows.
All labels observed (1)
| Label | Occurrences |
|---|---|
| ARRI RAW canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T6790148 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: ARRI RAW Context triple: [Adobe Premiere Pro, supportsFormat, ARRI RAW]
-
A.
Blackmagic RAW
Blackmagic RAW is a high-quality, compressed raw video codec developed by Blackmagic Design that preserves extensive image data for flexible color grading and post-production workflows.
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B.
ProRes RAW
ProRes RAW is a high-quality, compressed raw video codec developed by Apple that combines the flexibility of raw image data with the performance and efficiency of the ProRes format for professional video production.
-
C.
ProRes
ProRes is a high-quality, high-performance video compression format developed by Apple and widely used in professional video production and post‑production workflows.
-
D.
Dolby Vision
Dolby Vision is a high-dynamic-range (HDR) imaging technology that enhances video with greater brightness, contrast, and color accuracy for a more lifelike viewing experience.
-
E.
SMPTE ST 2084
SMPTE ST 2084 is a high-dynamic-range (HDR) electro‑optical transfer function standard, also known as Perceptual Quantizer (PQ), widely used in modern HDR video systems such as HDR10 and Dolby Vision.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: ARRI RAW Target entity description: ARRI RAW is a high-quality, uncompressed digital cinema camera format developed by ARRI that preserves maximum image data for professional film and video production workflows.
-
A.
Blackmagic RAW
Blackmagic RAW is a high-quality, compressed raw video codec developed by Blackmagic Design that preserves extensive image data for flexible color grading and post-production workflows.
-
B.
ProRes RAW
ProRes RAW is a high-quality, compressed raw video codec developed by Apple that combines the flexibility of raw image data with the performance and efficiency of the ProRes format for professional video production.
-
C.
ProRes
ProRes is a high-quality, high-performance video compression format developed by Apple and widely used in professional video production and post‑production workflows.
-
D.
Dolby Vision
Dolby Vision is a high-dynamic-range (HDR) imaging technology that enhances video with greater brightness, contrast, and color accuracy for a more lifelike viewing experience.
-
E.
SMPTE ST 2084
SMPTE ST 2084 is a high-dynamic-range (HDR) electro‑optical transfer function standard, also known as Perceptual Quantizer (PQ), widely used in modern HDR video systems such as HDR10 and Dolby Vision.
- F. None of above. chosen
Statements (45)
| Predicate | Object |
|---|---|
| instanceOf |
digital cinema camera format
ⓘ
raw image format ⓘ |
| allows |
custom color science in post
ⓘ
de-bayering in post-production ⓘ |
| category |
camera acquisition format
ⓘ
digital intermediate technology ⓘ |
| compatibleWith |
major professional editing systems
ⓘ
major professional grading systems ⓘ |
| compression | visually lossless options available in some implementations ⓘ |
| dataType |
raw sensor data
ⓘ
uncompressed ⓘ |
| designedFor |
cinema post-production pipelines
ⓘ
non-destructive image processing ⓘ |
| developer | ARRI NERFINISHED ⓘ |
| enables |
flexible exposure adjustment in post
ⓘ
flexible white balance adjustment in post ⓘ retention of highlight detail ⓘ retention of shadow detail ⓘ |
| encoding | Bayer pattern sensor data ⓘ |
| fullName | ARRIRAW NERFINISHED ⓘ |
| goal | preserve maximum image data ⓘ |
| introducedBy | ARRI digital camera systems division NERFINISHED ⓘ |
| optimizedFor |
HDR mastering workflows
ⓘ
cinematic image quality ⓘ high-end feature film production ⓘ |
| positionInWorkflow | camera acquisition stage ⓘ |
| primaryUse |
digital cinematography
ⓘ
professional film production ⓘ professional video production ⓘ |
| relatedFormat | Apple ProRes NERFINISHED ⓘ |
| relatedTechnology | ARRI ALEXA sensor ⓘ |
| stores | sensor linear light information ⓘ |
| supports |
extensive color grading
ⓘ
high dynamic range ⓘ visual effects workflows ⓘ wide color gamut ⓘ |
| typicalUsers |
VFX supervisors
ⓘ
cinematographers ⓘ colorists ⓘ |
| usedWith |
ARRI ALEXA 65
NERFINISHED
ⓘ
ARRI ALEXA LF NERFINISHED ⓘ ARRI ALEXA Mini NERFINISHED ⓘ ARRI ALEXA Mini LF NERFINISHED ⓘ ARRI ALEXA cameras NERFINISHED ⓘ ARRI AMIRA cameras ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: ARRI RAW Description of subject: ARRI RAW is a high-quality, uncompressed digital cinema camera format developed by ARRI that preserves maximum image data for professional film and video production workflows.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.