The Art of Accompaniment on the Harpsichord, Organ, and Theorbo
E618712
The Art of Accompaniment on the Harpsichord, Organ, and Theorbo is a treatise by Baroque composer Francesco Geminiani that provides practical instruction on continuo playing and accompaniment techniques for keyboard and plucked string instruments.
All labels observed (1)
| Label | Occurrences |
|---|---|
| The Art of Accompaniment on the Harpsichord, Organ, and Theorbo canonical | 2 |
Statements (31)
| Predicate | Object |
|---|---|
| instanceOf |
music theory book
ⓘ
musical treatise ⓘ |
| aimsAt |
performers of Baroque music
ⓘ
students of continuo playing ⓘ |
| author | Francesco Geminiani NERFINISHED ⓘ |
| covers |
coordination with soloist or ensemble
ⓘ
harmonic progressions in continuo ⓘ ornamentation in accompaniment ⓘ |
| focusesOn |
continuo realization
ⓘ
figured bass interpretation ⓘ practical instruction ⓘ |
| genre | music pedagogy ⓘ |
| historicalContext | 18th-century performance practice ⓘ |
| historicalPeriodDescribed | Baroque era NERFINISHED ⓘ |
| intendedInstrument |
harpsichord
ⓘ
organ ⓘ theorbo ⓘ |
| language | English ⓘ |
| provides |
examples of continuo patterns
ⓘ
guidance on chord voicing ⓘ guidance on part distribution between hands or courses ⓘ |
| relatedTo |
Baroque accompaniment practice
ⓘ
Francesco Geminiani’s other pedagogical works ⓘ |
| subject |
accompaniment
ⓘ
basso continuo ⓘ harpsichord playing ⓘ organ playing ⓘ theorbo playing ⓘ |
| teaches |
improvised accompaniment
ⓘ
realization of figured bass at the keyboard ⓘ realization of figured bass on plucked strings ⓘ |
Referenced by (2)
Full triples — surface form annotated when it differs from this entity's canonical label.
Francesco Geminiani
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notableWork
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The Art of Accompaniment on the Harpsichord, Organ, and Theorbo
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