Raga Bageshri
E617192
Raga Bageshri is a prominent late-evening Hindustani classical raga known for its romantic, introspective mood and graceful melodic contours.
Statements (49)
| Predicate | Object |
|---|---|
| instanceOf |
Hindustani raga
ⓘ
musical scale ⓘ |
| anga | Kafi-ang raga NERFINISHED ⓘ |
| aroha | n S g M D n S' ⓘ |
| associatedGenre |
bhajan
ⓘ
instrumental music ⓘ khayal ⓘ thumri ⓘ |
| avaroha | S' n D M g R S ⓘ |
| characteristicFeature |
descending-oriented phrases
ⓘ
resting on Ma and Sa ⓘ use of komal swaras for pathos ⓘ |
| classification | serious (gambhir) raga ⓘ |
| contrastsWith | bright morning ragas like Bhairav ⓘ |
| importantNote |
Ga and Ma are strongly emphasized
ⓘ
Pa is generally avoided or used sparingly ⓘ meend and gamak are used for expressive slides ⓘ |
| jaati | audav-sampurna ⓘ |
| mood |
graceful
ⓘ
introspective ⓘ romantic ⓘ serene ⓘ |
| musicTradition | Hindustani classical music ⓘ |
| originRegion | North India NERFINISHED ⓘ |
| pakad |
g M D n D M g R S
ⓘ
n S g M D n D M g ⓘ |
| performanceContext | late-evening concerts ⓘ |
| popularity | widely performed in Hindustani concerts ⓘ |
| primaryRasa | shringara (romantic) ⓘ |
| samvadi | Sa (Shadja) ⓘ |
| secondaryRasa | karuna (pathos) ⓘ |
| similarTo |
Raga Bageshri Kanada
NERFINISHED
ⓘ
Raga Kafi NERFINISHED ⓘ Raga Suha NERFINISHED ⓘ |
| thaat | Kafi NERFINISHED ⓘ |
| timeOfPerformance |
late evening
ⓘ
second prahar of night ⓘ |
| typicalTempo |
madhya laya
ⓘ
vilambit laya ⓘ |
| usedFor |
expressing gentle romantic love
ⓘ
expressing longing and devotion ⓘ |
| usesSwar |
komal Dha
ⓘ
komal Ga ⓘ komal Ni ⓘ komal Re (in some interpretations, weak or omitted in ascent) ⓘ shuddha Ma ⓘ shuddha Pa (often omitted or very weak) ⓘ shuddha Sa ⓘ |
| vadi | Ma (Madhyam) ⓘ |
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.