Shen Te

E616179

Shen Te is the central character in Bertolt Brecht’s play "The Good Person of Szechwan," a compassionate but struggling woman whose attempts to live morally in a corrupt society force her to adopt a harsher alter ego.

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Statements (46)

Predicate Object
instanceOf fictional character
theatrical character
alterEgoRole Shui Ta is a ruthless, pragmatic businessman persona NERFINISHED
appearsIn The Good Person of Szechwan NERFINISHED
appearsInForm prose dialogue
songs
associatedWithConcept Verfremdungseffekt (alienation effect) NERFINISHED
centralThemeRelation conflict between morality and survival
critique of capitalist social relations
characterTrait compassionate
generous
morally conflicted
self‑sacrificing
createdBy Bertolt Brecht NERFINISHED
createdForForm stage play
dramaticArc from hopeful beneficiary of divine aid to desperate user of a harsh alter ego
facesConflictWith economic hardship
exploitative neighbors
firstAppearedIn The Good Person of Szechwan NERFINISHED
firstPerformanceYearOfWork 1943
gender female
hasAlterEgo Shui Ta NERFINISHED
hasLoveInterest Yang Sun NERFINISHED
hasMedium theatre
hasMoralDilemma choosing between helping others and preserving her own livelihood
hasNameOrigin Chinese‑sounding name chosen by Brecht
hasOccupation prostitute
hasRelative Shui Ta NERFINISHED
influences interpretations of female agency in Brecht’s theatre
isFrom Szechwan NERFINISHED
isJudgedBy the gods at the end of the play
isSubjectOf literary criticism on ethics and capitalism
theatrical performance studies
languageOfWork German
laterHasOccupation tobacco shop owner
narrativeFunction embodiment of the problem of being good in a corrupt society
receivesGift money from the gods to start a business
receivesHelpFrom the gods in The Good Person of Szechwan NERFINISHED
roleInWork protagonist
setIn a fictionalized Szechwan in China
strugglesWith maintaining goodness while ensuring survival
symbolizes the impossibility of pure goodness under oppressive conditions
undergoesTransformation adopts male disguise as Shui Ta to protect herself
usedAsExampleOf Brechtian character designed to provoke critical reflection
workGenre didactic play
epic theatre

Referenced by (2)

Full triples — surface form annotated when it differs from this entity's canonical label.