Raga Bhimpalasi
E610407
Raga Bhimpalasi is a popular afternoon raga in Hindustani classical music, known for its soulful, devotional mood and use of the Kafi thaat scale.
Statements (50)
| Predicate | Object |
|---|---|
| instanceOf |
Hindustani raga
ⓘ
musical scale ⓘ |
| aestheticMood |
bhakti (devotional)
ⓘ
karuna (pathos) ⓘ shringara (romantic) in a restrained form ⓘ |
| aroha | n S g M P n S' ⓘ |
| arohaType | audav (pentatonic) ⓘ |
| associatedRasa |
devotion
ⓘ
melancholic sweetness ⓘ yearning ⓘ |
| avaroha | S' n D P M g R S ⓘ |
| avarohaType | sampurna (heptatonic) ⓘ |
| belongsTo | Hindustani classical music NERFINISHED ⓘ |
| importantPhrase |
g M P n P
ⓘ
g M g R S ⓘ n S g M ⓘ |
| jati | audav–sampurna ⓘ |
| noteQuality |
uses komal Ga and komal Dha
ⓘ
uses shuddha Re, Ma, Pa, Ni ⓘ |
| omittedNotesInAroha |
Dha
ⓘ
Re ⓘ |
| pakad |
g M P n P g M g R S
ⓘ
n S g M P g M g R S ⓘ |
| performanceContext |
bhajan
ⓘ
instrumental music ⓘ khayal ⓘ thumri ⓘ |
| popularity | widely performed raga in Hindustani concerts ⓘ |
| primaryEmotion |
introspective
ⓘ
soulful ⓘ |
| region |
northern India
ⓘ
surface form:
North India
|
| relativeOf |
Raga Abhogi Kanhra
NERFINISHED
ⓘ
Raga Bageshri NERFINISHED ⓘ Raga Kafi NERFINISHED ⓘ |
| samvadi | Sa (Shadja) ⓘ |
| scaleType | audav–sampurna ⓘ |
| seasonalAssociation | often associated with monsoon ⓘ |
| system | Hindustani music system NERFINISHED ⓘ |
| thaat | Kafi NERFINISHED ⓘ |
| timeOfPerformance |
afternoon
ⓘ
late afternoon ⓘ second prahar of the day ⓘ |
| usesSwar |
Ma
ⓘ
Ni ⓘ Pa ⓘ Re ⓘ Sa ⓘ dha (komal Dha) ⓘ ga (komal Ga) ⓘ |
| vadi | Ma (Madhyam) ⓘ |
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.