Powder Her Face
E606223
Powder Her Face is a contemporary chamber opera by British composer Thomas Adès, notorious for its darkly comic portrayal of the scandal-ridden Duchess of Argyll and its explicit, avant-garde treatment of sex and power.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Powder Her Face canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T6575464 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Powder Her Face Context triple: [Thomas Adès, notableWork, Powder Her Face]
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A.
Your Pretty Face Is Going to Hell
"Your Pretty Face Is Going to Hell" is a raw, high-energy proto-punk song by The Stooges, showcasing the band's aggressive sound and Iggy Pop's unrestrained vocal style.
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B.
Broken Face
"Broken Face" is a raw, punk-influenced track by the Pixies, featured on their influential 1988 album *Surfer Rosa*.
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C.
Dollface
Dollface is an American comedy series that follows a young woman who, after a breakup, must rekindle the female friendships she left behind while navigating adulthood.
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D.
My Face in the Rain
"My Face in the Rain" is a track by Greek composer Vangelis featured on his 1979 electronic music album *Earth*.
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E.
Two Faces
Two Faces is a song by Bruce Springsteen from his 1987 album "Tunnel of Love," reflecting themes of inner conflict and emotional duality.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Powder Her Face Target entity description: Powder Her Face is a contemporary chamber opera by British composer Thomas Adès, notorious for its darkly comic portrayal of the scandal-ridden Duchess of Argyll and its explicit, avant-garde treatment of sex and power.
-
A.
Your Pretty Face Is Going to Hell
"Your Pretty Face Is Going to Hell" is a raw, high-energy proto-punk song by The Stooges, showcasing the band's aggressive sound and Iggy Pop's unrestrained vocal style.
-
B.
Broken Face
"Broken Face" is a raw, punk-influenced track by the Pixies, featured on their influential 1988 album *Surfer Rosa*.
-
C.
Dollface
Dollface is an American comedy series that follows a young woman who, after a breakup, must rekindle the female friendships she left behind while navigating adulthood.
-
D.
My Face in the Rain
"My Face in the Rain" is a track by Greek composer Vangelis featured on his 1979 electronic music album *Earth*.
-
E.
Two Faces
Two Faces is a song by Bruce Springsteen from his 1987 album "Tunnel of Love," reflecting themes of inner conflict and emotional duality.
- F. None of above. chosen
Statements (48)
| Predicate | Object |
|---|---|
| instanceOf |
chamber opera
ⓘ
contemporary opera ⓘ |
| basedOn | life of the Duchess of Argyll ⓘ |
| centralCharacter | Duchess of Argyll NERFINISHED ⓘ |
| character |
The Duchess
NERFINISHED
ⓘ
The Electrician NERFINISHED ⓘ The Maid NERFINISHED ⓘ The Waiter NERFINISHED ⓘ |
| commissionedBy |
Almeida Opera
NERFINISHED
ⓘ
Cheltenham Festival NERFINISHED ⓘ |
| composer | Thomas Adès NERFINISHED ⓘ |
| conductorAtPremiere | Thomas Adès NERFINISHED ⓘ |
| controversy | censorship and broadcast restrictions due to explicit content ⓘ |
| countryOfOrigin | United Kingdom ⓘ |
| duration | approximately 2 hours ⓘ |
| firstPerformanceType | concert staging ⓘ |
| firstProductionCompany | Almeida Opera NERFINISHED ⓘ |
| firstUSProductionYear | 1998 ⓘ |
| genre |
dark comedy
ⓘ
opera ⓘ |
| hasRecording | 1998 EMI recording conducted by Thomas Adès ⓘ |
| language | English ⓘ |
| librettist | Philip Hensher NERFINISHED ⓘ |
| notableFor |
avant-garde musical style
ⓘ
explicit sexual content ⓘ portrayal of sex and power ⓘ |
| numberOfActs | 2 ⓘ |
| orchestrationType | chamber ensemble ⓘ |
| premiereCity | Cheltenham NERFINISHED ⓘ |
| premiereCountry | United Kingdom NERFINISHED ⓘ |
| premiereDate | 1995-06-01 ⓘ |
| premierePlace | Cheltenham Festival NERFINISHED ⓘ |
| publisher | Faber Music NERFINISHED ⓘ |
| setting | a luxury hotel suite ⓘ |
| structure | two-act opera ⓘ |
| style |
eclectic
ⓘ
postmodern ⓘ |
| subject | Margaret Campbell, Duchess of Argyll NERFINISHED ⓘ |
| subsequentPerformanceType | fully staged production ⓘ |
| theme |
class and privilege
ⓘ
power dynamics ⓘ public humiliation ⓘ sexual scandal ⓘ |
| timeSetting | from the 1930s to the 1990s ⓘ |
| uses |
cabaret elements
ⓘ
pastiches of popular music ⓘ tango rhythms ⓘ |
| vocalForces | small cast of singers ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Powder Her Face Description of subject: Powder Her Face is a contemporary chamber opera by British composer Thomas Adès, notorious for its darkly comic portrayal of the scandal-ridden Duchess of Argyll and its explicit, avant-garde treatment of sex and power.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.