Robert Cambert
E603218
Robert Cambert was a 17th-century French composer often regarded as one of the pioneers of French opera.
Statements (46)
| Predicate | Object |
|---|---|
| instanceOf |
Baroque composer
ⓘ
composer ⓘ human ⓘ opera composer ⓘ |
| activeIn | 17th century ⓘ |
| causeOfDeath | suspected poisoning ⓘ |
| coFounded | Académie d’Opéra in Paris NERFINISHED ⓘ |
| collaboratedWith | Pierre Perrin NERFINISHED ⓘ |
| countryOfCitizenship | France ⓘ |
| dateOfBirth | circa 1628 ⓘ |
| dateOfDeath | 1677 ⓘ |
| employer | court of Louis XIV NERFINISHED ⓘ |
| fieldOfWork |
music composition
ⓘ
theatre music ⓘ |
| followedBy | Jean-Baptiste Lully in control of French opera ⓘ |
| genre |
Baroque music
ⓘ
opera ⓘ |
| genreOfWork |
Les peines et les plaisirs de l’amour is a pastoral opera
NERFINISHED
ⓘ
Pomone is an early French opera ⓘ |
| hasGenre |
air de cour
ⓘ
ballet de cour ⓘ |
| influenced |
Jean-Baptiste Lully
NERFINISHED
ⓘ
development of tragédie en musique ⓘ |
| influencedBy | Italian opera ⓘ |
| knownFor | helping establish French-language opera in Paris ⓘ |
| languageOfWorkOrName | French ⓘ |
| movement | French Baroque NERFINISHED ⓘ |
| nationality | French ⓘ |
| notableEvent | loss of royal privilege for the Académie d’Opéra to Lully ⓘ |
| notableFor | being one of the pioneers of French opera ⓘ |
| notableWork |
Les peines et les plaisirs de l’amour
NERFINISHED
ⓘ
Pomone NERFINISHED ⓘ |
| occupation | composer ⓘ |
| patron |
Anne of Austria
NERFINISHED
ⓘ
Cardinal Mazarin NERFINISHED ⓘ |
| placeOfBirth | Paris ⓘ |
| placeOfDeath |
London, England
ⓘ
surface form:
London
|
| positionHeld | superintendent of music to the Queen of France ⓘ |
| precededBy | early Italian opera composers active in France ⓘ |
| relocatedTo | England NERFINISHED ⓘ |
| roleInOrganization | musical director of the Académie d’Opéra ⓘ |
| studentOf | Jacques Champion de Chambonnières NERFINISHED ⓘ |
| style | French courtly style ⓘ |
| workLocation |
London, England
ⓘ
surface form:
London
Paris ⓘ |
| workPremiere | Pomone premiered in 1671 in Paris ⓘ |
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.