Commentaire III de "Bourreaux de solitude"
E590909
Commentaire III de "Bourreaux de solitude" is one of the surrealist, text-driven vocal movements from Pierre Boulez’s avant-garde chamber work *Le Marteau sans maître*, noted for its intricate rhythmic structures and innovative timbral combinations.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Commentaire III de "Bourreaux de solitude" canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T6397677 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Commentaire III de "Bourreaux de solitude" Context triple: [Le Marteau sans maître, hasMovement, Commentaire III de "Bourreaux de solitude"]
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A.
Réflexions sur la violence
Réflexions sur la violence is a 1908 work by French revolutionary syndicalist Georges Sorel that analyzes the role of myth and violence in class struggle and social change.
-
B.
Les Complaintes
Les Complaintes is a collection of symbolist poems by Jules Laforgue that blends irony, melancholy, and musical language to explore modern existential themes.
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C.
Commentary on the Sentences
Commentary on the Sentences is a major early theological work by St. Thomas Aquinas, consisting of his extensive exposition and analysis of Peter Lombard’s foundational medieval theology textbook, the Sentences.
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D.
Souvenirs et solitude
Souvenirs et solitude is a posthumously published memoir by French politician Jean Zay, reflecting on his life, political career, and imprisonment during World War II.
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E.
Écrits de prison
Écrits de prison is a posthumously published collection of writings by French politician Jean Zay, composed during his imprisonment under the Vichy regime and valued for its literary quality and historical testimony.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Commentaire III de "Bourreaux de solitude" Target entity description: Commentaire III de "Bourreaux de solitude" is one of the surrealist, text-driven vocal movements from Pierre Boulez’s avant-garde chamber work *Le Marteau sans maître*, noted for its intricate rhythmic structures and innovative timbral combinations.
-
A.
Réflexions sur la violence
Réflexions sur la violence is a 1908 work by French revolutionary syndicalist Georges Sorel that analyzes the role of myth and violence in class struggle and social change.
-
B.
Les Complaintes
Les Complaintes is a collection of symbolist poems by Jules Laforgue that blends irony, melancholy, and musical language to explore modern existential themes.
-
C.
Commentary on the Sentences
Commentary on the Sentences is a major early theological work by St. Thomas Aquinas, consisting of his extensive exposition and analysis of Peter Lombard’s foundational medieval theology textbook, the Sentences.
-
D.
Souvenirs et solitude
Souvenirs et solitude is a posthumously published memoir by French politician Jean Zay, reflecting on his life, political career, and imprisonment during World War II.
-
E.
Écrits de prison
Écrits de prison is a posthumously published collection of writings by French politician Jean Zay, composed during his imprisonment under the Vichy regime and valued for its literary quality and historical testimony.
- F. None of above. chosen
Statements (44)
| Predicate | Object |
|---|---|
| instanceOf |
contemporary classical music piece
ⓘ
surrealist vocal movement ⓘ vocal movement ⓘ |
| associatedComposer | Pierre Boulez NERFINISHED ⓘ |
| associatedMovement | post-war European avant-garde ⓘ |
| basedOn | poem "Bourreaux de solitude" by René Char NERFINISHED ⓘ |
| catalogueWork | Le Marteau sans maître NERFINISHED ⓘ |
| composer | Pierre Boulez NERFINISHED ⓘ |
| countryOfOrigin | France ⓘ |
| cycleSection | Bourreaux de solitude NERFINISHED ⓘ |
| cycleTitle | Le Marteau sans maître, pour voix d’alto et 6 instruments NERFINISHED ⓘ |
| dateComposed | 1953–1955 ⓘ |
| feature |
chamber ensemble scoring
ⓘ
innovative timbral combinations ⓘ text-driven vocal writing ⓘ |
| genre |
avant-garde music
ⓘ
serial music ⓘ |
| instrumentation |
alto flute
ⓘ
guitar ⓘ percussion ⓘ vibraphone ⓘ viola ⓘ xylorimba ⓘ |
| language | French ⓘ |
| movementNumber | 3 ⓘ |
| notedFor |
innovative timbral combinations
ⓘ
integration of voice and instruments ⓘ intricate rhythmic structures ⓘ |
| partOf | Le Marteau sans maître NERFINISHED ⓘ |
| period | 20th-century music ⓘ |
| premiereWork | Le Marteau sans maître NERFINISHED ⓘ |
| relatedWork |
Bourreaux de solitude (principal movement)
ⓘ
Commentaire I de "Bourreaux de solitude" NERFINISHED ⓘ Commentaire II de "Bourreaux de solitude" NERFINISHED ⓘ |
| scoringContext | alto voice and six instruments ⓘ |
| style |
modernist
ⓘ
surrealist-inspired ⓘ |
| technique |
complex rhythmic structures
ⓘ
integral serialism ⓘ |
| textAuthor | René Char NERFINISHED ⓘ |
| textType | surrealist poetry ⓘ |
| vocalForces | alto voice ⓘ |
| workTitleLanguage | French ⓘ |
| workTypeWithinCycle | commentary movement ⓘ |
How these facts were elicited
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You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Commentaire III de "Bourreaux de solitude" Description of subject: Commentaire III de "Bourreaux de solitude" is one of the surrealist, text-driven vocal movements from Pierre Boulez’s avant-garde chamber work *Le Marteau sans maître*, noted for its intricate rhythmic structures and innovative timbral combinations.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.