Commentaire I de "Bourreaux de solitude"
E590906
Commentaire I de "Bourreaux de solitude" is one of the movements from Pierre Boulez’s avant-garde chamber work Le Marteau sans maître, noted for its complex serial techniques and innovative treatment of voice and instruments.
Statements (33)
| Predicate | Object |
|---|---|
| instanceOf |
musical movement
ⓘ
vocal chamber music movement ⓘ |
| associatedWithComposerStyle | Boulez’s post-Webernian serialism ⓘ |
| basedOn | poem "Bourreaux de solitude" NERFINISHED ⓘ |
| belongsToCycleOfPoems | Le Marteau sans maître text cycle by René Char NERFINISHED ⓘ |
| composer | Pierre Boulez NERFINISHED ⓘ |
| countryOfOrigin | France ⓘ |
| cyclePosition | movement of Le Marteau sans maître ⓘ |
| firstPerformanceWork | Le Marteau sans maître premiere (1955–1957 period) NERFINISHED ⓘ |
| genre |
avant-garde music
ⓘ
serial music ⓘ |
| hasInstrumentationType | mixed chamber ensemble with voice ⓘ |
| languageOfText | French ⓘ |
| notedFor |
complex serial techniques
ⓘ
innovative treatment of voice and instruments ⓘ |
| partOf | Le Marteau sans maître NERFINISHED ⓘ |
| scoredFor |
alto flute
ⓘ
alto voice ⓘ guitar ⓘ percussion ⓘ vibraphone ⓘ viola ⓘ xylorimba NERFINISHED ⓘ |
| textAuthor | René Char NERFINISHED ⓘ |
| textIncorporates | fragments of the poem "Bourreaux de solitude" NERFINISHED ⓘ |
| titleLanguage | French ⓘ |
| titleTranslation | Commentary I on "Executioners of Solitude" NERFINISHED ⓘ |
| usesTechnique |
complex rhythmic structures
ⓘ
extended vocal techniques ⓘ innovative timbral combinations ⓘ integral serialism ⓘ |
| vocalPartType | alto ⓘ |
| workPeriod | 20th-century music ⓘ |
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.