Ānandavallī
E587355
Ānandavallī is a section of the Taittirīya Upanishad that expounds on the nature of bliss and the layered structure of the self (ātman) through the doctrine of the five sheaths (pañca kośa).
All labels observed (1)
| Label | Occurrences |
|---|---|
| Ānandavallī canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T6339455 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Ānandavallī Context triple: [Taittirīya Upanishad, hasPart, Ānandavallī]
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A.
Gajanana
Gajanana is a revered aspect of the Hindu deity Ganesha, emphasizing his elephant-faced form and role as the remover of obstacles and bestower of wisdom.
-
B.
Maduraikāñci
Maduraikāñci is a classical Tamil poem from the Sangam era, renowned for its vivid portrayal of the city of Madurai, its society, and cultural life.
-
C.
Anantha Saras
Anantha Saras is a revered temple tank associated with the Varadaraja Perumal Temple in Kanchipuram, considered sacred by devotees and used for religious rituals and festivals.
-
D.
Sīthalai Sāttanār
Sīthalai Sāttanār was a classical Tamil poet best known for composing the Buddhist epic Manimekalai, one of the Five Great Epics of Tamil literature.
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E.
Kanchanmala
Kanchanmala is a notable literary work by Bengali writer and playwright Jyotirindranath Tagore.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Ānandavallī Target entity description: Ānandavallī is a section of the Taittirīya Upanishad that expounds on the nature of bliss and the layered structure of the self (ātman) through the doctrine of the five sheaths (pañca kośa).
-
A.
Gajanana
Gajanana is a revered aspect of the Hindu deity Ganesha, emphasizing his elephant-faced form and role as the remover of obstacles and bestower of wisdom.
-
B.
Maduraikāñci
Maduraikāñci is a classical Tamil poem from the Sangam era, renowned for its vivid portrayal of the city of Madurai, its society, and cultural life.
-
C.
Anantha Saras
Anantha Saras is a revered temple tank associated with the Varadaraja Perumal Temple in Kanchipuram, considered sacred by devotees and used for religious rituals and festivals.
-
D.
Sīthalai Sāttanār
Sīthalai Sāttanār was a classical Tamil poet best known for composing the Buddhist epic Manimekalai, one of the Five Great Epics of Tamil literature.
-
E.
Kanchanmala
Kanchanmala is a notable literary work by Bengali writer and playwright Jyotirindranath Tagore.
- F. None of above. chosen
Statements (48)
| Predicate | Object |
|---|---|
| instanceOf |
Hindu philosophical text
ⓘ
Upanishadic text section ⓘ |
| aimsAt |
knowledge of ātman
ⓘ
liberation (mokṣa) through knowledge ⓘ |
| alternateName | Ānanda-vallī NERFINISHED ⓘ |
| associatedConcept | Brahman as sat-cit-ānanda ⓘ |
| associatedPractice |
contemplation on the five sheaths
ⓘ
meditation on Brahman as bliss ⓘ |
| associatedWithVeda | Kṛṣṇa Yajurveda NERFINISHED ⓘ |
| canonicalStatus | part of a principal Upaniṣad ⓘ |
| centralTheme |
analysis of ātman
ⓘ
nature of bliss (ānanda) ⓘ relationship between self and Brahman ⓘ |
| describes |
annamaya kośa
ⓘ
manomaya kośa ⓘ prāṇamaya kośa ⓘ vijñānamaya kośa ⓘ ānandamaya kośa ⓘ |
| expoundsDoctrine |
doctrine of the five sheaths
ⓘ
pañca kośa ⓘ theory of the layered self ⓘ |
| focusesOn |
progressive interiorization of self-identity
ⓘ
realization of Brahman as bliss ⓘ |
| genre | Upaniṣad prose and verse ⓘ |
| hasCommentaryBy |
Madhvācārya (through Taittirīya Upaniṣad commentaries)
ⓘ
Rāmānuja (through Taittirīya Upaniṣad commentaries) NERFINISHED ⓘ Śaṅkarācārya NERFINISHED ⓘ |
| hasLanguage | Sanskrit ⓘ |
| hasScriptureTradition | Vedic ⓘ |
| influenced |
classical Hindu psychology of the person
ⓘ
later Vedāntic discussions of the self ⓘ |
| locatedWithin | second chapter of Taittirīya Upaniṣad ⓘ |
| partOf |
Taittirīya Upaniṣad
NERFINISHED
ⓘ
Taittirīya Āraṇyaka NERFINISHED ⓘ |
| philosophicalSchool | Vedānta NERFINISHED ⓘ |
| presentsConcept |
Brahman as ultimate source of bliss
ⓘ
hierarchy of sheaths from gross to subtle ⓘ inner-most self as bliss sheath ⓘ self as consisting of five sheaths ⓘ |
| religiousTradition | Hinduism ⓘ |
| studiedIn |
Advaita Vedānta
NERFINISHED
ⓘ
Dvaita Vedānta NERFINISHED ⓘ Viśiṣṭādvaita Vedānta NERFINISHED ⓘ |
| teaches | gradational analysis of happiness and bliss ⓘ |
| teachesMethod | negation of identification with outer sheaths ⓘ |
| transmittedAs | oral tradition before being written ⓘ |
| usesConcept | ānanda-mīmāṃsā (inquiry into bliss) ⓘ |
| usesStructure | successive enlargement of happiness in higher levels of being ⓘ |
How these facts were elicited
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You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Ānandavallī Description of subject: Ānandavallī is a section of the Taittirīya Upanishad that expounds on the nature of bliss and the layered structure of the self (ātman) through the doctrine of the five sheaths (pañca kośa).
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.