Parangolé
E585358
Parangolé is a series of wearable, participatory artworks by Brazilian artist Hélio Oiticica that merge sculpture, performance, and viewer interaction to challenge traditional notions of art and spectatorship.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Parangolé canonical | 1 |
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf |
artwork series
ⓘ
wearable artwork ⓘ |
| aimsTo |
question the autonomy of the art object
ⓘ
transform the spectator into participant ⓘ |
| artForm |
installation art
ⓘ
performance art ⓘ sculpture ⓘ wearable sculpture ⓘ |
| associatedWith |
Mangueira samba school
NERFINISHED
ⓘ
Rio de Janeiro NERFINISHED ⓘ |
| colorCharacteristic |
contrasting color fields
ⓘ
vivid colors ⓘ |
| conceptualFocus |
breaking separation between artist and spectator
ⓘ
environmental and spatial experience ⓘ interaction between body and artwork ⓘ |
| countryOfOrigin | Brazil ⓘ |
| creator | Hélio Oiticica NERFINISHED ⓘ |
| designedToBe |
activated through movement
ⓘ
worn by participants ⓘ |
| displayedAt |
Instituto Inhotim
NERFINISHED
ⓘ
Museum of Modern Art, New York NERFINISHED ⓘ Tate Modern, London NERFINISHED ⓘ |
| genre | contemporary art ⓘ |
| hasPart |
Parangolé P15 Capa 11
NERFINISHED
ⓘ
Parangolé P25 Capa 18 NERFINISHED ⓘ Parangolé P4 Capa 1 ⓘ |
| hasType |
banners
ⓘ
capes ⓘ flags ⓘ |
| inception | 1960s ⓘ |
| influenced |
participatory art practices
ⓘ
relational aesthetics ⓘ |
| influencedBy |
Brazilian favelas
ⓘ
concrete and neo-concrete art ⓘ samba culture ⓘ |
| languageOfName | Portuguese ⓘ |
| materialUsed |
fabric
ⓘ
paint ⓘ plastic ⓘ |
| movement | Neo-Concrete movement NERFINISHED ⓘ |
| notableFor |
challenging traditional spectatorship
ⓘ
merging sculpture and performance ⓘ use of color and movement ⓘ viewer participation ⓘ |
| requiresAction |
dancing
ⓘ
walking ⓘ wearing ⓘ |
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.