Parangolés
E585354
Parangolés are a series of wearable, participatory artworks created by Brazilian artist Hélio Oiticica that merge painting, sculpture, and performance to explore movement, color, and viewer interaction.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Parangolés canonical | 2 |
Statements (50)
| Predicate | Object |
|---|---|
| instanceOf |
Brazilian contemporary art
ⓘ
artwork series ⓘ wearable art ⓘ |
| aim |
to merge art and life
ⓘ
to transform the spectator into a participant ⓘ |
| artMovement |
Brazilian avant-garde
ⓘ
Neo-Concrete movement NERFINISHED ⓘ |
| coreConcept |
anti-spectacular art
ⓘ
breaking barrier between artwork and viewer ⓘ color in motion ⓘ embodied movement ⓘ sensory experience ⓘ social interaction ⓘ viewer participation ⓘ |
| countryOfOrigin | Brazil ⓘ |
| creator | Hélio Oiticica NERFINISHED ⓘ |
| describedAs |
environmental sculptures
ⓘ
wearable paintings ⓘ |
| designedFor |
collective performance
ⓘ
to be activated by bodily movement ⓘ to be worn by participants ⓘ |
| exhibitedAt | museums and galleries worldwide ⓘ |
| formalCharacteristic |
geometric patterns
ⓘ
layered structures ⓘ text fragments on surfaces ⓘ |
| genre |
experimental art
ⓘ
installation art ⓘ performance art ⓘ |
| hasPart |
banners
ⓘ
capes ⓘ flags ⓘ ponchos ⓘ |
| inception | mid-1960s ⓘ |
| influenced |
participatory art practices
ⓘ
performance-based installation ⓘ relational aesthetics ⓘ |
| influencedBy |
Brazilian street culture
ⓘ
Mangueira samba school NERFINISHED ⓘ Neo-Concrete theory NERFINISHED ⓘ concrete art ⓘ favelas of Rio de Janeiro ⓘ samba schools ⓘ |
| materialUsed |
canvas
ⓘ
fabric ⓘ found materials ⓘ plastic ⓘ |
| notableWorkOf | Hélio Oiticica NERFINISHED ⓘ |
| startTime | 1964 ⓘ |
| typicalColorFeature |
contrasting color fields
ⓘ
vivid colors ⓘ |
Referenced by (2)
Full triples — surface form annotated when it differs from this entity's canonical label.