Cattedrale di Santa Maria Assunta
E571057
Cattedrale di Santa Maria Assunta is the Roman Catholic cathedral of Cremona, Italy, renowned for its Romanesque architecture richly adorned with later Gothic, Renaissance, and Baroque additions.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Cattedrale di Santa Maria Assunta canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T6076627 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Cattedrale di Santa Maria Assunta Context triple: [Cremona Cathedral, alsoKnownAs, Cattedrale di Santa Maria Assunta]
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A.
Cattedrale di Santa Maria Assunta
Cattedrale di Santa Maria Assunta is the main Roman Catholic cathedral of Naples, Italy, renowned for its Gothic architecture and as the shrine of the city’s patron saint, San Gennaro.
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B.
Cattedrale di Santa Maria Assunta
Cattedrale di Santa Maria Assunta is the historic Roman Catholic cathedral of Palermo, Sicily, renowned for its diverse architectural styles and as the burial place of Sicilian kings and emperors.
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C.
Cathedral of Santa Maria Assunta
The Cathedral of Santa Maria Assunta is the main Roman Catholic cathedral of Chioggia, Italy, notable for its Baroque architecture and role as the city’s principal place of worship.
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D.
Cathedral of Santa Maria Assunta
The Cathedral of Santa Maria Assunta is a major medieval Romanesque-Gothic cathedral in Asti, Italy, renowned for its imposing brick façade and richly decorated interior.
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E.
Church of Santa Maria Assunta
The Church of Santa Maria Assunta is a historic Catholic church in Guastalla, Italy, notable for its religious significance and characteristic Italian ecclesiastical architecture.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Cattedrale di Santa Maria Assunta Target entity description: Cattedrale di Santa Maria Assunta is the Roman Catholic cathedral of Cremona, Italy, renowned for its Romanesque architecture richly adorned with later Gothic, Renaissance, and Baroque additions.
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A.
Cattedrale di Santa Maria Assunta
Cattedrale di Santa Maria Assunta is the main Roman Catholic cathedral of Naples, Italy, renowned for its Gothic architecture and as the shrine of the city’s patron saint, San Gennaro.
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B.
Cattedrale di Santa Maria Assunta
Cattedrale di Santa Maria Assunta is the historic Roman Catholic cathedral of Palermo, Sicily, renowned for its diverse architectural styles and as the burial place of Sicilian kings and emperors.
-
C.
Cathedral of Santa Maria Assunta
The Cathedral of Santa Maria Assunta is the main Roman Catholic cathedral of Chioggia, Italy, notable for its Baroque architecture and role as the city’s principal place of worship.
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D.
Cathedral of Santa Maria Assunta
The Cathedral of Santa Maria Assunta is a major medieval Romanesque-Gothic cathedral in Asti, Italy, renowned for its imposing brick façade and richly decorated interior.
-
E.
Church of Santa Maria Assunta
The Church of Santa Maria Assunta is a historic Catholic church in Guastalla, Italy, notable for its religious significance and characteristic Italian ecclesiastical architecture.
- F. None of above. chosen
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf |
Roman Catholic cathedral
ⓘ
Romanesque architecture building ⓘ baptistery ⓘ bell tower ⓘ church building ⓘ |
| adjacentTo | Baptistery of Cremona NERFINISHED ⓘ |
| alsoKnownAs | Cremona Cathedral NERFINISHED ⓘ |
| architecturalStyle |
Baroque
ⓘ
surface form:
Baroque architecture
Gothic architecture ⓘ Renaissance architecture ⓘ Romanesque architecture ⓘ |
| constructionStart | 1107 ⓘ |
| country | Italy ⓘ |
| dedicatedTo |
Assumption of Mary
NERFINISHED
ⓘ
Virgin Mary ⓘ |
| hasArtwork |
altarpieces by Renaissance painters
ⓘ
fresco cycle of the Life of the Virgin ⓘ fresco cycle of the Passion of Christ ⓘ |
| hasBellTower | Torrazzo of Cremona NERFINISHED ⓘ |
| hasFacade | marble façade with loggias and rose window ⓘ |
| hasFeature |
Romanesque arcaded gallery
ⓘ
central rose window ⓘ lateral Gothic porches ⓘ portico with three arches ⓘ |
| hasInteriorDecoration |
Renaissance frescoes in the nave
ⓘ
cycle of frescoes ⓘ marble altars ⓘ painted wooden choir stalls ⓘ |
| hasPart |
apse
ⓘ
crypt ⓘ nave ⓘ side aisles ⓘ transept ⓘ |
| hasPortalSculpture |
Gothic statues
ⓘ
Romanesque reliefs ⓘ |
| heritageDesignation | cultural heritage monument in Italy ⓘ |
| inaugurationYear | 1190 ⓘ |
| locatedIn |
Cremona
NERFINISHED
ⓘ
Cremona NERFINISHED ⓘ Cremona NERFINISHED ⓘ Lombardy ⓘ Piazza del Comune, Cremona NERFINISHED ⓘ |
| partOf | Roman Catholic Diocese of Cremona NERFINISHED ⓘ |
| religion | Roman Catholicism ⓘ |
| significance |
major example of Lombard Romanesque architecture
ⓘ
principal church of Cremona ⓘ |
| significantEvent | construction interrupted by 1117 Verona earthquake ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Cattedrale di Santa Maria Assunta Description of subject: Cattedrale di Santa Maria Assunta is the Roman Catholic cathedral of Cremona, Italy, renowned for its Romanesque architecture richly adorned with later Gothic, Renaissance, and Baroque additions.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.