Niccolò Aurelio
E562401
Niccolò Aurelio was a Venetian nobleman and high-ranking official of the Republic of Venice, best known today as the patron associated with Titian’s painting "Sacred and Profane Love."
Statements (30)
| Predicate | Object |
|---|---|
| instanceOf |
Venetian nobleman
ⓘ
patron of the arts ⓘ statesman ⓘ |
| associatedWith |
Titian
NERFINISHED
ⓘ
painting "Sacred and Profane Love" NERFINISHED ⓘ |
| citizenship | Republic of Venice NERFINISHED ⓘ |
| coatOfArmsUsedOn | Titian’s "Sacred and Profane Love" NERFINISHED ⓘ |
| countryOfCitizenship | Republic of Venice NERFINISHED ⓘ |
| culture | Venetian ⓘ |
| employer | Republic of Venice NERFINISHED ⓘ |
| familyName | Aurelio NERFINISHED ⓘ |
| gender | male ⓘ |
| givenName | Niccolò NERFINISHED ⓘ |
| hasMottoOnCoatOfArms | coat of arms appears on Titian’s "Sacred and Profane Love" ⓘ |
| knownFor |
patronage in early 16th-century Venice
ⓘ
service in the Venetian chancery ⓘ |
| languageOfUse |
Italian
ⓘ
Venetian ⓘ |
| marriedTo | Laura Bagarotto NERFINISHED ⓘ |
| notableFor | being the patron associated with Titian’s "Sacred and Profane Love" ⓘ |
| notableWork | patronage of Titian’s "Sacred and Profane Love" ⓘ |
| occupation |
nobleman
ⓘ
state official ⓘ |
| partOf | Venetian patriciate NERFINISHED ⓘ |
| positionHeld |
Grand Chancellor of the Republic of Venice
NERFINISHED
ⓘ
high-ranking official of the Republic of Venice ⓘ |
| residence | Venice NERFINISHED ⓘ |
| socialClass | nobility ⓘ |
| timePeriod |
16th century
ⓘ
Renaissance NERFINISHED ⓘ |
Referenced by (2)
Full triples — surface form annotated when it differs from this entity's canonical label.
subject surface form:
Sacred and Profane Love