Equipo Crónica
E561557
Equipo Crónica was a Spanish pop art collective active mainly in the 1960s and 1970s, known for its politically charged, ironic reinterpretations of classical artworks and mass media imagery.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Equipo Crónica canonical | 1 |
Statements (43)
| Predicate | Object |
|---|---|
| instanceOf |
Pop art movement artist
ⓘ
artist collective ⓘ |
| activePeriod |
1960s
ⓘ
1970s ⓘ |
| artisticStyle |
Pop art with political content
ⓘ
flat, graphic compositions ⓘ serial imagery and repetition ⓘ |
| basedIn | Valencia NERFINISHED ⓘ |
| context | late Francoist period in Spain ⓘ |
| country | Spain ⓘ |
| field |
painting
ⓘ
printmaking ⓘ |
| foundedIn | Spain NERFINISHED ⓘ |
| genre |
appropriation art
ⓘ
conceptual art ⓘ political art ⓘ |
| hasMember |
Joan Antoni Toledo
NERFINISHED
ⓘ
Manolo Valdés NERFINISHED ⓘ Rafael Solbes NERFINISHED ⓘ |
| hasType | Spanish Pop art collective ⓘ |
| influencedBy |
advertising imagery
ⓘ
classical European painting ⓘ mass media ⓘ political events in Spain ⓘ |
| languageOfWork | visual art ⓘ |
| movement | Pop art NERFINISHED ⓘ |
| notableCharacteristic |
critique of Francoist Spain
ⓘ
ironic visual commentary ⓘ politically charged reinterpretations of classical artworks ⓘ use of mass media imagery ⓘ |
| notableFor |
bridging Pop art and political activism in Spain
ⓘ
collective authorship of artworks ⓘ |
| opposedTo | Francoist cultural policies ⓘ |
| timeInForce | second half of the 20th century ⓘ |
| usedTechnique |
acrylic painting
ⓘ
collage-like composition ⓘ screen printing ⓘ |
| visualMotif |
fragmented figures
ⓘ
quotation of famous paintings ⓘ repeated graphic elements ⓘ |
| workFocus |
analysis of visual culture
ⓘ
critique of authoritarian power structures ⓘ reworking of canonical masterpieces ⓘ |
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.